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An eye peering through the center of a disk version of What Remains of Edith Finch

How small can you make a thing and still have that thing be interesting?

I’ve been told throughout my life spent creating things (books, video games, YouTube videos, podcasts) that simplicity is a core ingredient of creative output. When a thing is simplified enough, when it’s abstracted to its core requirements, when the guardrails are robust and the lanes clearly defined, that’s when creativity tends to flourish.

I embrace the challenge, and in fact, when a thing is simplified, that’s when I discover an interest enough to justify the very act of creating. Not until all magic has been stripped away am I able to see the potential for magic.

I’ve been looking forward to the Annapurna Interactive Deluxe Limited Edition collection of PS4 games for a long time. Finally, it’s in my hands. Join me in this rare Caleb Gaming unboxing video. What makes this collection so special? Why am I excited about this collection of games? Watch to find out. This collection from iam8bit includes physical disks of Donut County, Gorogoa, Kentucky Route Zero: TV Edition, Outer Wilds, Sayonara Wild Hearts, Telling Lies, Wattam, and What Remains of Edith Finch. This collection is the only way to get a physical disk version of the game Telling Lies. Until now, Telling Lies was only distributed as a digital game. Mentioned: Buy the Annapurna Interactive Deluxe Limited Edition set All the books in What Remains of Edith Finch

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I heard that The Suicide of Rachel Foster is a lot like What Remains of Edith Finch, so I knew I had to play it because I love seeing games fail to be greater than the greatest game of all time. I’m probably approaching this game unfairly, huh?

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Finally, I'm ready to talk about my 5 favorite video games of all time! After 19 videos counting down my top 95 games, it's time for my top five video games. I'm excited. Are you excited? You should be.

A gun is an unearned power shift. A story should survive by its characters, but a gun puts too much power into the hands of an undeserving character. The same is true with a pregnancy.

Edgar Allan Poe doesn’t actually want the audience to determine which of the parallel interpretive possibilities are “correct,” but rather he wants the audience to accept that parallel interpretive possibilities are possible. So when Ian Dallas deflects questions about the true causes of his character’s deaths, he’s perhaps not dodging. He’s moving out of the way so you can see the rest of the possibilities.

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