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Literature lover and good natured promoter of all things indy, Jason Behrends offers up his newest episode of the Orange Alert Podcast with lovely side dish of yours truly. He has included my reading of the first chapter of As a Machine and Parts (from a March reading at Method in Kansas City) in this newest episode. Jason was one of the earliest supporters of As a Machine and Parts, so it means a lot to have him include me. Listen to the full episode here.

Today , NOO Journal is kind enough to post an interview that author Nik Korpon did with me a few weeks back. NOO is too good to me. Click here to read the interview. Also, don’t forget that if you comment on all guest blog posts, you will get free stuff. See all tour stops here

Pablo D'Stair is easily the hardest working man in independent literature. The guy has operated his own publishing press (Brown Paper Publishing) for a few years now, he continuously produces his own amazing fiction (he's authored about 43,000 books, I think), he's innovative with his means of extracting meaningful dialog between author and reader (see: The Predicate Dialogues, and Norman Court for his latest projects in this space) and he works tirelessly to apply critical analysis to fiction in a way that maintains intellectual integrity without compromising accessibility. Above all, he's a passionate thinker. Though I've known Pablo for a while (I was involved in his first The Predicate Dialogues back in March 2010), his most recent critical contributions, and his inclusion of my novel Stranger Will, leave me no less impressed. Pablo is currently conducting a series of Six Investigations of the Act of Reading for the Sunday Observer…

A few weeks ago I was turned on to Booked Podcast via their review of Christopher Dwyer’s novel When October Falls. I am always looking for more literature podcasts, and I’ve been a fan and friend of Dwyer’s for a long time, so when the two came together I did not hesitate to jump in. Livius Nedin and Robb Olson have not been doing Booked Podcast to very long yet, but they approach the format liked seasoned connoisseurs. It is the best kind of podcast; readers talking about books. Simple. Proven. Last week they took on Stranger Will, and were not only kind enough to give my book their time but were kind enough to offer truly humbling amounts of praise. If every I meet Livius and/or Robb in person, the beers are on me. I highly recommend you take a listen to their discussion of Stranger Will. http://www.bookedpodcast.com/2011/05/27/episode-9-stranger-will/ Then,…

Fresh from our own live readings, me, Ben Tanzer (You Can Make Him Like You), Ryan W. Bradley (publisher, Artistically Declined Press), Nik Korpon (Stay God), and Brandon Tietz (Out of Touch) have a sit down at Bourbon in Washington DC to discuss the hows and whys of author performance. Performance is part of the author’s life. Many of us may prefer the romance of the hermit writer to the reality of the performing writing, but as the culture shifts to a system of ever-spilling minutia (Twitter) and increasingly fragmented media distribution channels (hundreds of TV channels, YouTube, Hulu, and on and on), the author is expected to play an active role in selling both his book and himself. Performance—live author readings—offers a unique opportunity to do both. Listen to the full discussion over at The Velvet Podcast. Or you can subscribe to The Velvet Podcast via Feedburner, Podcast Alley, or…

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