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Category Archives Caleb’s Game Devlog

Thoughts on Game Development and Game Design. Expect quick-thought blog posts, scripted videos, and even podcasts. If you want to learn my philosophy on video game development, this is a great place to start (and end).

Programming and content writing initially seem like functions at opposite hemispheres of our brain. Though programmers will insist that creativity is part of programming, and content writers will insist that structure is part of content writing, I have witnessed a reductive division between the “left brainers” and “right brainers.” But that division isn’t actually so static. The gulf isn’t so wide.

The game-making lessons we learned are:

  • Lack of exposition + personal artifacts = introspective environmental storytelling. Gamifying the mundane. Anywhere decisions can be made (ex: where to place physical items in a room) a game can be born. (Unpacking). Shout out to Ian Bogost’s “How to do Things with Video Games.”
  • All characterization is with dialog, conversations with demons. Fiction writing rule: Dialog, not exposition, makes for the best characters. Show don't tell. This game is a reminder that mechanics alone don't need to bear the weight of a game alone; the "what a crazy character that is" appeal can support and, maybe even, still the show. (Shin Megami Tensei 5)
  • Obligation is inherently less motivating than discovery. Obligation lacks personal investment. (Mass Effect 2)

The game-making lessons we learned are:

  • Music both directs and enhances the mood. Chill must support a chill atmosphere but also it provides feedback to the player that this is a game (or section of a game) that should allow for chilling out. Lack of enemies alone doesn’t signify a conflict-free scenario. (Valheim)
  • Pawns as a terrain generator. Live environment manipulation disguised as offensive actions. (Chess)
  • Character movement is the most important part of games in which moving a character is central to the experience. Duh, right? I’ll be refining movement in my next game for a very long time before moving on. This means the environment and puzzles I create will be anticipating the good movement, rather than possibly having been built with sub-par (ie, only suitable) movement in mind. (NieR Replicant ver.1.22474487139…)

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