What follows is a conversation between myself and writer and Warmed and Bound editor, Pela Via. Why? We like chatting about ourselves. Or, read a much prettier version at Pela’s blog.

Pela Via: Thanks for talking to me again, Caleb. You are one of the hardest workers in contemporary fiction; I always love a chance to corner you into a long, stifling conversation. Are you as prolific as you seem?

Caleb J. Ross: Prolific is a term that seems appropriate at first, but really a better way to say it would be “got lucky all at once.” Stranger Will and I Didn’t Mean to be Kevin, the two 2011 novels, were both written a few years ago, each a year or so apart. And the novella also to be released this year, As a Machine and Parts, was written even later than the novels. This is all to say that I spent about eight years writing the books, but the one year release schedule implies otherwise. I’m actually quite the disappointment.

PV: Hardly. Your short work is everywhere. Do you plan to release any books in 2012?

CJR: As for 2012, nothing is contracted yet. But I have plenty to write.

PV: What do these two novels represent in your writing career?

CJR: The books both deal with parenthood, but from opposite angles. Stranger Will is about a parent not wanting his child. IDMtbK is about a child wanting nothing more than to have a parent. IDMtbK was written later, and I see it as a reaction to Stranger Will; it is both a personal goal (as in “now, let me see if I can to the opposite of what I just did”) and a reader-based goal (as in “I had better show readers that I’m not as crazy as Stranger Will would imply”).

PV: Do you feel more official this year, as a writer? I know it’s not your first book, but Stranger Will is your first published novel. Has it helped your ego?

CJR: The ego has taken a bit of a stroke, for sure. What makes me feel the most validated with Stranger Will is that I have a lot of strangers commenting on the book. With Charactered Pieces, my first book, I would say about 70% of the readers knew me personally. With Stranger Will that number seems significantly different.

PV: I’m frightened of reaching that place where my work is just barely popular enough to be reviewed by non-friends (and consequently panned).

CJR: I wouldn’t worry about having strangers review your work. I’ve found that the panning is about the same with strangers and friends. The difference being that friends tend to critique you as a person along with the work (“Wow, I can’t imagine you writing something like this”) whereas strangers tend to focus on the work itself.

PV: Interesting. So does it sting a bit more, then, when it comes from friends, if they have a complaint? Does it feel like they’re speaking to your general ability as a human and writer?

CJR: Most of my friends who read early drafts are writers themselves, so I understand that all intentions are good. That said, it can still sting. But the sting is more because of my passion for the work rather than my relationship to the reader.
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