I’m fighting a cold. And losing. Viruses seem to attack at times that I otherwise have both time and motivation to write (fiction, that is, not a quick blog post). One day, I’ll write an entire collection of vignettes under the influence of TheraFlu. Until then, I’ll stick to complaining that my body apparently doesn’t want me to write fiction. Today’s bout comes at an especially bad time as I have two projects underway that I am damn excited about. One, I’ve hinted at a few times before (coded 4C until myself and the other writers involved come up with something better), which is about 80% complete. I can smell the maggots on the bloody horizon. The other, a project I haven’t much started but for sketching a few ideas and doing some homework reading, is already gnawing at me. The homework: read Riddley Walker by Russell Hoban. The assignment:…
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Earlier this afternoon Pablo D’Stair, as he is apt to do, asked some questions that made me evaluate my writing in way that I haven’t before. Not deeper, necessarily. Just different. I won’t copy the questions and answers verbatim here—as I believe Pablo has something planned for the full discussion—but I don’t think he’ll mind if I mull over a few of the topics for a bit. Literary and Genre Do you think of what you do as “genre” writing and if so or if not, do you see a difference (and what is it) between writing termed genre and writing termed literary? In common use “genre” equates fiction created to entertain while “literary” refers to fiction created to enlighten. Here’s where the dispute originates, in that the differences are with intent rather than the end product. When something cannot be judged 100% objectively, there’s going to be disagreement. Hell,…
Ken Wohlrob, author of The Love Book and Songs of Vagabonds, Misfits, and Sinners made this early morning a bit more bearable by offering a very humbling, very nice review of Stranger Will over at his official site. Here's a few snippets: “It’s been a while since I have read a solid, eerie tale of actual human depravity — let’s face it, most writers are too zombie and vampire obsessed these days — but Stranger Will hits the mark perfectly. The plot, is taught, well-crafted, and 2/3 of the way in hits you with the right-hook to the head where you suddenly realize everything that came before was just a warm-up for the real action. And Ross, never winks, never let’s down his guard — very important for this kind of tale. He could have tried to temper the darkness with humor, but that would’ve undercut the atmosphere. As written, there is…
Today marks a special stop on my blog tour. Richard Thomas and I have it out a new installment of his dueling columns series which essentially pits two writers against one another to voice their individuals takes on a hot-button issue of the day. Our issue: to MFA or not to MFA. I've posted both of our write-ups below, which can also be seen at Richard Thomas' site. Click here to read the guest post. Also, don’t forget that if you comment on all guest blog posts, you will get free stuff. FOR MFA PROGRAMS – Richard As Caleb mentioned in his column, if you want to teach at the university level, then you must get an MFA. And at many fine universities, you may need a PhD these days as well. In addition to that, most schools want you to have at least one published novel or short story collection (the bigger and better the press,…
"Click-Clack" is a favorite of my stories. It has a rhythm and a focus that I am particularly proud of. So, it makes me all warm and bound to read Matthew C. Funk's review of the story at Spinetinger Magazine. Spinetingler, for whatever beautiful reason, has decided to review a handful of stories from the recent Warmed and Bound anthology, in which my story, along with 37 others, appear for your reading pleasure. Rather than blather on, I'll just post a few of Mr. Funk's words: Click-Clack by Caleb J. Ross is attuned to these mortal rhythms, and makes them sing seamlessly in a narrative that is as much a ballad as it is lyrical prose. This vignette is a song masquerading as short story. It achieves this with a brilliance as flawless as any modern masterpiece of music. Ross crafts wondrously illustrated personalities. Jack and Ernie are vivid as both symbols in a fable…
de Tietz: "Caleb J.Ross writes like "if Jonathan Franzen did way too many barbiturates and got into a downward spiral." As always, Ben Tanzer moderates a fantastic episode of This Podcast Will Change Your Life. This episode brings with it Brandon Tietz, author of Out of Touch. He talks about his next book, Vanity, his work at The Cult, his contribution to Warmed and Bound, and much, much more. Subscribe to This Podcast Will Change Your Life. Never miss an episode. Okay.
The following is an excerpt from VHS, a literary novel by Pablo D’Stair being released in various e-formats, absolutely free-of-charge (and in limited edition print-editions-by-part through giveaways). Information on the project, including links to what is currently available, can be found at www.vhsbook.wordpress.com. "Drain" There was a distinct moaning coming from the sink drain in the bathroom of my basement—it didn’t start as distinct, in fact I hardly even heard it at first, had just ducked in to the bathroom to wash my hands because they’d felt sticky, and it took a few times thinking I’d heard something indistinct to focus and then it wasn’t until I had my ear over the basin it got clear, the moan. I stared at the opening, put two fingers in it, looked in the cabinet space under the sink, mostly because I wondered if the sink had a pipe went straight down or what—pipe…