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Metafiction (see: “intertextual fiction”): self-referential fiction. A simple definition but one open to great possibilities. Think of the infinite mirror effect in that when two similar subjects are forced to reflect each other, self-commentary snowballs. For me, the pull started with Jorge Louis Borges’s story, “The Garden of Forking Paths”: “In all fictional works, each time a man is confronted with several alternatives, he chooses one and eliminates the others; in the fiction of the almost unfathomable Ts’ui Pen, he chooses – simultaneously – all of them. He creates, in this way, diverse futures, diverse times which themselves also proliferate and fork…No one realized that the book and the labyrinth were one and the same.” Wow. For Borges, character was secondary to plot, a tactic generally snubbed by the literateri as a convention of commercial(ized) fiction. But for Borges, the philosophical ideas were so strong that they became characters in…

Hard to believe we are already at issue #9. And the stories just keep getting better. This new issue is all about Heaven and Hell. From Richard Thomas, #9’s editor, and Colored Chalk staple: IS IT YOUR IDEAL HEAVEN OR UNBEARABLE HELL? One man’s ceiling is another man’s floor. One man’s trappings are another man’s freedom. What is heaven and hell to you? Is it brimstone and hooves opposing angels floating on ethereal clouds? Is it merely the eternal battle of dark vs. light, good vs. evil, right vs. wrong? Is it pushing a boulder up a hill day after day to no avail or having your liver eaten for eternity, each new dawn awakening to this horrible echo? Is it just a quiet moment of peace, that subtle bliss as you fall asleep or waking next to those you love? The writers in this issue of Colored Chalk all…

Over at Outsider Writers, Pat King, etiquette aficionado and all-around glorious specimen, is heading up an OW Chapbook Series, designed to paper and bind voices of the otherwise electronically chained OWC editors. So, what the hell does this have to do with me? How can I wring the appropriate ego from this post? Two ways: I am an OWC editor, meaning that a fiction chapbook of my own waits in the pipeline. More on this in the future, you can be sure. For now, let this description suffice: Mitchell, a twenty-something Cougar Cub with a midlife girlfriend named Marsha, wakes each morning, slightly more machine, slightly less human. As his condition progresses he looses his capacity for human emotion, and potentially with it Marsha. “As a Machine and Parts” (working title) is a story of Mitchell’s struggle to find out which assembly line he belongs to. Pat asked me to…

Extree, extree! The new issue of Colored Chalk sits ready for consumption amid worthy virtual newsstands/host servers! Also, corruption within the Govna's office! Read all about it! Will I ever be disappointed with an issue of Colored Chalk? No. No, is the answer to that question. How best to describe the issue 8 theme, Broken Clocks? How about a some text from the minds behind the pages: It's the human condition to lick the wounds of our mistakes and pick at scabs of regret. from the original theme by Alex J. Martin Be it misery or reverie, we mutate with our memories, traversing private histories, with critical eyes, and an editor's pen. issue 8 editor, Jason M. Heim Issue 8 contains fine work from Nik Korpon, Justin Holt, Derek Ivan Webster, Richard Thomas, Elizabeth Kate Switaj, Carol Stone, Stephen Graham Jones, Rebecca Gaffron, Alan Frackelton, Linda G. White, Tait McKenzie…

With all the talk of dwindling advances, shrinking sales, and too many scribblers willing to saturate the bookshelves with crap, Writers (with the admittedly douchey capital "W") must become more creative in monetizing their efforts. I anticipate the recent Amazon Kindle decision to open its interface to the blogosphere at large will ultimately impact blog-structured web zines like Literary Saloon and The Elegant Variation, acting in much the same way traditional door delivery currently works. But until a collective schism happens, what are those of us who produce longer, less blog-friendly works supposed to do? Jeremy C. Shipp, author of Vacation, Sheep and Wolves, and the forthcoming Cursed (Raw Dog Screaming Press) recently adopted the subscription model for some of his own short fiction, a venture dubbed Bizarro Bytes. Quite simply, a subscription to Bizarro Bytes guarantees 12 previously unpublished short stories, delivered one per month. Interesting idea, to say…

The path to book sales shouldn’t be paved with white smiles and checkerboard slacks. When dealing with a product that has neither life-sustaining value nor infomercial superfluence, sales might best be treated as a byproduct of a well-manicured relationship. One between author and audience, as well as among the audience members themselves. Book groups exist. George Foreman Grill groups do not. Which is why world of mouth is a valuable route to book sales. People talking and sharing opinions, with no explicit intention of selling a product = a perfect, mutually respectful form of consumerism. Word of mouth has adopted a kindred form online, though isn’t really “of mouth” in this mutated guise. Fan lists such as Amazon’s Listmania! help connect like-minded readers, which would logically seem to drive sales (though no hard sales data exists that I could find; although online customer reviews seem to have a “casual” effect…

"Be warned; this collection will polarize audiences, splitting readers according to their willingness to trust in an untethered voice. Sheep and Wolves does not believe in beach reading or in hammocks and hot chocolate. It does not believe in love at first sight or in happy marriages. To be happy, Sheep and Wolves says, is to embrace the absurd. “Lies are cheaper than therapy” [pg. 69]. Welcome to the bizarro fiction movement, hail Jeremy C. Shipp." [from the Oxyfication.net review of Sheep and Wolves] The following interview took place via email between 7 September 2008 and 21 September 2008. Why email? I’m afraid of the man. Your first authored book, a novel titled Vacation, was published in 2007 by Raw Dog Screaming Press. Sheep and Wolves, your follow up short story collection, is set for a December 2008 release by the same publisher. Aside from the forms themselves (short stories…

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