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I've been a fan of Tim Hall's since first coming on board with Outsider Writer's Collective over a year ago. His articles were always great (his Open Letter to Oprah Winfrey as part of his Naked Opinion column is especially good), the email and forum exchanges I had with him consistently proved his dedication to both his writing and the writing community at large. His four books, published through his own Undie Press label, are all quite good. So, of course I'm damn happy that his newest book, a fiction collection called One Damn Thing After Another, will be the next title released through OW Press. I urge everyone to preorder a copy. Preorders will be a specially designated, signed, limited edition which will include a corrected manuscript page tipped in, original artwork, and other goodies. Head over to the OW Press page for full information. Books will begin to…

The Millions recently posted a list of 2010 books forthcoming from literary giants. I'm looking forward to quite a few on that list. But, I think we are due a list from literary midgets, too, right? So here they are (the ones I can think of right now, anyway. I reserve the right to add more): Sawako Nakayasu's Texture Notes and Travis Nichols's Iowa from Letter Machine Editions. I only recently heard about Letter Machine Editions, and, other than a few excerpts from the above titles, I have no reason to think these books are worth anticipating. But I like the press's simple webpage and their equally simple book design. I never said the lit midget list had to be supported by my knowledge of a press or its authors, did I? Noah Cicero's The Insurgent from BLATT Books. Lot's of people don't like his stuff. I do. Will I…

Tom Waits stands as one of the most innovative artists alive, mixing crooner piano tunes, industrial percussion, and all the styles between in a way that compliments, though dissonantly, his abrasive voice. Woven throughout his catalog, there's hip hop, too, from when hip hop was beat poetry. Take 1978's "Step Right Up" from his Small Change album: Step Right Up Then, as Waits fell in with (helped create?) the garbage clank-boom crowd, he upped the percussion, giving his hip hop styles more "edge:" Top of the Hill Dog Door But, during last night's Sonic Spectrum show with Roger Moore (a program I love, by the way), I heard a Tom Waits track that clearly marks the man's furthest stretch into hip hop: Though my initial reaction was one of disgust. Not because Waits had further adopted hip hop (I like hip hop) but because he had done so to such…

Mel Bosworth, skullcap connoisseur and Pushcart nominee, has a burgeoning series of youtube videos in which he reads stories by other writers. The short videos (usually less than a minute or so) work well to break down a dull day. And if you are too busy to watch, you can at least listen – Mel’s got a great reading voice. His latest, him reading the opening section of CHARACTERED PIECES. I’m thrilled and honored. One of my first intros to Mel’s work was via Folded Word’s single story “mini-mags.” The story: Leave Me as I Lessen. The reaction: floored. I meant to post about this great story before, but my goddamn life got in the way. So, I say, read it now, here. It is only downloadable for free until December 15.

After Blake Butler, editor of the print lit journal NO COLONY, posted an aside about publishing and Pushcart-nominating anyone willing to pay $650, Shya Scanlon called his bluff, and quickly rallied 65 people, each willing to fork over $10, to put together a composite of 150 word prose chunks. That’s 9,750 words by 65 authors, each with claim to 1/65th of a Puschart nomination. The entire point of Butler’s original offer, I think, was to comment on how easy it is to manipulate these sorts of literary prizes. In truth, anyone with anything published can be nominated for a Pushcart. All it takes is an editor willing to write your name on a piece of paper. And in a world of zero-overhead POD printing, anyone can be an editor. I hope that those in charge of choosing the Pushcart winner know how to filter out stuff like this NO COLONY…

Gordon Highland is not Drew Ballard. Though, to know the former after reading the latter, one might not recognize a distinction. Ballard, the protagonist of Highland’s first novel, Major Inversions, has much in common with his author: 80’s tribute band member, check; film scoring history, check; unending wit, check. Film set drug dealer…no. After reading Major Inversions, I sat with Gordon to ask him a bit about these parallels (as well as a couple especially interesting others). Check out the video interview, the first of what I hope to be a series of author interviews called Beer und Questions Asks. Buy a copy of Major Inversions online at Amazon.com. I recommend it. Further reading: My review of Major Inversions at Outsider Writers Collective Gordon Highland homepage

When Sideshow Fables creator Paul Eckert approached a group of writers (to which Paul and I belong) about creating a magazine of circus themed tales, I said a silent thank you on the behalf of all readers. He’s got it right, I think. Going about fanbase-building and marketing in the way that independent record companies have been doing for years is a wise move when falling publisher profits has become too common a story. It was at last year’s AWP Conference in Chicago when I heard a panel of small press publishers (I can’t remember any of them, I apologize) where one of the editors made mention of the indie record label model. The publishing logic having always been, we will make readers fans of authors. But, said the editor, why not make readers fans of the publishers? It seems obvious. And to do that, readers have to be able…

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