Tag: other writers

  • Back from the AWP Conference in Denver, CO

    So, I’m back, after four short days of writing-related debauchery. All-in-all, a great time. The highlight, of course, was the OW Press The Velvet reading, which took place on Friday, April 9th at Leela European Cafe. Fourteen readers came together to read current works, works-in-progress, or never-to-be-published works. A damn fine time. I managed to meet a lot of people I’ve only communicated with over the Internet, which made the trip both surreal and important.

    Also, I posted about the AWP Conference as it was happening, over at the Denver AWP blog that I set up. Myself, along with a few other writers, posted about our experiences as they were happening. I’m sure more updates will trickle in over the coming days, as hangovers and jet-lag wear off.

  • The Velvet Podcast, Episode 003: INTERVIEW with Brian Evenson

    The Velvet Podcast, Episode 003: INTERVIEW with Brian Evenson

    A very special Episode #003 of The Velvet Podcast just went live a few hours ago. I interview one of my very favorite authors, Brian Evenson about his upcoming AWP Conference panel, Crime, Horror, Sci‐Fi, and Fantasy… Seriously.Extract below:

    (Anthony Smith, Brian Evenson, Stephen Graham Jones, Tod Goldberg, Mark Smith, Seth Harwood) Six writers of genre fiction who also teach and/or have graduated from university creative writing programs discuss how they approach genre fiction as a serious literary pursuit rather than as a lesser form of fiction. In addition, they discuss attitudes towards genre fiction in the university and how those attitudes have changed over the years.

    I want to personally thank Mr. Brian Evenson for taking time out of his day to chat with me. He has made this fanboy quite happy. Be sure to visit his website for details about this amazing author.

    Please, give it a listen. Subscribe via Feedburner, Podcast Alley, RSS, or iTunes.

  • The Velvet Podcast, Episode 002: Hey, is that a copy of Kiss Me Judas on your desk, Professor Meriweather?

    The Velvet Podcast, Episode 002: Hey, is that a copy of Kiss Me Judas on your desk, Professor Meriweather?

    Episode #002 of The Velvet Podcastjust went live a few hours ago. Me, Chris Deal, Bob Pastorella, and Chris Bodenstein talk about:

    Why the disparity between genre fiction and literary fiction? Why are these two modes so often thought of as mutually exclusive? Though genre fiction (the big ones: mystery, sci-fi, horror) are taught at the university level, there is a palatable disinterest among much of academia. In this episode, four The Velvet members discuss these questions and more.

    I look forward to the future of this podcast. Please, give it a listen. Subscribe via Feedburner, Podcast Alley, RSS, or iTunes.

  • Dialogue with Pablo D’Stair for Predicate #1

    Dialogue with Pablo D’Stair for Predicate #1

    Someone needs to murder Pablo D’Stair. He’s making all of us, who for so long have relied on passion as a vehicle for discussing literature, look like asses. I’ve never met a person more in love with books (possibly more in love with the idea of- and the ideas within- books than the books themselves). This guy makes me imagine a beautiful world of quiet dive bars and smokey conversation.

    He recently asked me to be a part of the re-emergence of his literary journal, Predicate. What he’s done here is amazing. He invited seven authors to wax ever-so eloquently about literature. Sounds boring, I know. But these are not simple Q&A sessions. These are in-depth examinations of the meaning of literature. Okay, still sounds boring. But trust me, it’s not.

    Despite what my description above may imply about my ability to be entertaining, I’m quite proud of my contribution. Pablo has a way of evoking all the thoughts I’ve had for so long about literature, providing the prodding I’ve been missing.

    Best of all, copies of Predicate #1, (all 300+ pages!) are available at-cost via Amazon.com ($6.50 US) (link forthcoming), or for free .PDF format at the dedicated Predicate website.

    On a side note, I’ll be drinking with Pablo sometime during the AWP Conference in Denver. Ohhhh, what should I wear!!!

    In other Brown Paper Publishing news, Chris Deal’s flash story collection Cienfuegos has just been released. I am lucky to have known Chris for a few years. Everything this guy writes, I eagerly read. So, when he asked me to take a look at an early version of this collection, I jumped at the chance. I had this to say:

    ‘These stories render emotion in shades of stark gray. Like sculptures, Deal subtracts from his Cienfuegos superfluous elements, leaving a base from which the reader is allowed to interpret, perhaps participate in, his characters’ disjointed lives. Each word hints at two others; each line implies a life; each brief fiction describes a world.’

    Author Stephen Graham Jones has this to say:

    ‘Prose haikus, fiction bullets, one-sentences novels, two fingers of story neat, no chaser . . . I don’t know what to call these, really. But I want more.’

    Like all titles from Brown Paper Publishing, Cienfuegos is available as a free .pdf download, or at-cost for a print copy. I suggest you download and read now.

  • The Velvet Podcast, Episode #001: Of Members and Horse Nostrils

    The Velvet Podcast, Episode #001: Of Members and Horse Nostrils

    I’ve been a member of The Velvet for a few years. During that time, I’ve come to respect the pool of talent over there not just for their writing chops, but for their reading tastes as well. They are my taste-makers.

    I am glad to now be able to share that camaraderie with you. Episode #001 of The Velvet Podcast just went live a few hours ago. Me, Gordon Highland, and Rob Parker talk about a few things writing, specifically regarding writing communities.

    I look forward to the future of this podcast. Please, give it a listen. Subscribe via Feedburner, Podcast Alley, RSS, or iTunes (coming soon). And don’t worry, it won’t be my lame voice on the Podcast for every episode.

  • A Stolen Interview with Tim Hall

    A Stolen Interview with Tim Hall

    Right away, let me say that this interview is fake. For the real, and much more interesting interview between Tim Hall and Scott McClanahan, click here. Why fake an interview with Tim Hall? I’m procrastinating work on my current novel.

    Tim Hall (TH): Your book is built around my two favorite themes of creative writing: autobiographical fiction mixed with a geographical/sociological postcard of a place. It’s like a portrait of the artist in the “staycation” from hell. What made you decide to “go Winesburg” and create the semi-fictional town of Rainelle, WV to tell your stories?

    Caleb J Ross (CJR): Did you even read my book? What they hell is a Rainelle? Is that some kind of gazelle? It should be. Maybe I’ll write a story about that.  Then I’ll put that story in a collection that is both autobiographic and postcard-like so it fits your summation of my book.

    TH: Long Island, where I grew up, certainly has a lot of the same types of people and problems that you describe in Stories; it’s almost a spectacularly evil place, filled with horrible people who have been driven insane essentially by traffic jams and a culture of pure consumption. You write about some pretty intense, damaged, but very recognizable and human types in your book: what would you say drives the extremes of their behaviors? Do you see Rainelle’s problems with drugs and teen pregnancy, for example, as something unique to to the local economy or demographics, or [due to] more universal American qualities?

    CJR: So, first you call my stuff autobiographical and they you say the book is full of horrible people? Your are some piece of work, my friend. I’ll have you know that my life is full of kind, gentle people who are only occasionally horrible. Except my Uncle Ned. He’s horrible all the time. He’s drunk all the time. Meaning, all drunk people are horrible. I’m gonna get a beer.

    TH: A lot of the people who move to the big cities are those who came from towns or families where being an artist, or gay, or just different could get them beaten or worse. So it’s certainly understandable and even necessary for them to go someplace where they find like souls and feel secure to be themselves. Have you thought about leaving West Virginia and relocating someplace else, like L.A. or NY or S.F.?

    CJR:I thought about leaving West Virginia once. It was two minutes after I got there. Take that state I’ve never actually been to (but would love to; call me West Virgina (smiley-emoticon)!

    TH: Thanks for your time, Scott. Last question(s): What are you working on now? Also, anything else you’d like to say about your book before we sign off?

    CJR:I’m working on two things. One, changing my name to Scott to help continuity here, and two, a novel that should have my attention, instead of this stupid stolen interview.

    For more information on Scott McClanahan please visit his website and for more from Tim hall please check out his blog.

  • Not a loud lesbian nor a story of masturbation; how will I succeed?

    Not a loud lesbian nor a story of masturbation; how will I succeed?

    As I mentioned in a previous post, I’ll be one of a great group of writers to read at Leela European Café on April 9th in Denver. I’ve done a few readings in the past, despite the live aspect being something writers don’t often get to experience. I’ve been lucky, I guess.

    I am perhaps more excited to see and meet these people more than I am to actually read some of my own work. That’s natural. I’m humble by nature. Humble and handsome.

    The unwritten rule is that writers should read from something either freshly published or contracted for publication. For me, that would be my story collection, Charactered Pieces. But another, perhaps not entirely unwritten rule, is that when crowds and drinks are involved, the best type of material to read is work both funny and short. Charactered Pieces, though it contains elements of each, doesn’t contain any stories that would fit both of those qualifications equally enough to warrant the rapt attention of the audience (which I expect to be huge! You hear me! Be there or be dead!). The bar is high, as I’ve been to both Chuck Palahniuk readings (refreshingly interactive meets his morbid material makes for strange group of lit lovers, videos here, and don’t forget all the people who fainted during his Guts tour) and Dorothy Allison readings (the last, her 2009 AWP appearance which was followed by the only performance worthy of her opening, a performance from Mucca Pazza (this review calls them a ragtag band…they simply don’t know the wonder that is Mucca Pazza).

    So, I’ve decided to write two entirely new pieces for the event. One involves my plea for corporate sponsorship. The other involves my plea for free beer. It’s a bit scary to debut something in front of a crowd of strangers, but I guess that’s better than waiting until a piece is printed before finding out it sucks.

    What sort of material do you (or would you, if you’ve never been to a live reading) want to hear?