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ReadDontWrite About one year ago I stopped writing fiction. Despite being very proud of my output (five books of fiction, dozens of short stories and essays) and despite developing a small but eager audience of readers who looked forward to my work, I stopped. No ceremony. No real reason (that I know of, anyway). One moment I considered myself a writer of fiction. The next moment I did not. Why is this a problem? I have a collaborative novel (written with the amazing Nik Korpon, Richard Thomas, and Axel Taiari) to be published by Dzanc in 2015. Dzanc is a dream publisher, and the three aforementioned authors are dream collaborators. Luckily, I don’t need to be an active writer in order to promote the hell out of this forthcoming book (which I do plan on doing, so get ready world). However, I can’t help but think that with my dissolved passion for writing fiction, my promotional efforts may seem disingenuous. Imagine Aunt Jemima giving lectures to halls filled with syrup makers decades after she turned syrup warehouse into an airplane hanger.

Phone conversations rarely work in stories. Why is that? The most common reason I’ve discovered is that it’s simply too easy; a reader is smart enough to know that the author is generally taking the easy way out of a weak plot. But, if you must include a phone call in a story, there are some basic things to keep in mind.

Really, the title of this entry is all I need. Imperfections do make for interesting characters. Nobody wants to read about a perfect human (unless the story deals with the human’s perfection as a weakness in contrast to the rest of the human race). Even Superman needed Kryptonite to be interesting. I re-learned, during a recent trip to New Orleans, that a writer should embrace the imperfections.

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