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The Art of the Domestic Grotesque: An Interview with Caleb J. Ross in the newest issue of Surreal Grotesque

December 27, 2012

I'm honored to have been able to spout off a bit for the newest issue of Surreal Grotesque magazine. Here's a taste: Your work doesn’t really resemble a genre in any way, which is nice, although people try to pigeonhole certain writers as being Chuck Palahniuk-esque or in the vein of “urban noir”. If you had to describe your writing style of work to someone who has never read you before, how would you describe your writing? I use the term Domestic Grotesque a lot, which basically means family dynamic meets visceral irrationality. The best example I can think of—though this book came out after I coined the term Domestic Grotesque—is Matt Bell’s Cataclysm Baby. A lot of Brian Evenson’s work would also fit. I love the imagery I can get away with when I write the grotesque, and I love the inherent tension when dealing with a family and…

What is Domestic Grotesque Fiction and Why Do I Write It?

January 21, 2012

I’ve called myself a writer of grotesque family fiction, but what does that term really mean? I give a brief definition of grotesque domestic fiction, or grotesque family fiction, by way of example, in an earlier blog post: Take a family situation—usually some sort of broken family dynamic—mix in something grotesque—possibly morbid but not necessarily—and you’ve probably got domestic grotesque. But I don’t know if that fully captures it. Up front, I have to say that I’ve always been the type to back away from definitions that try too hard to avoid definition. You know the type; those writers who say, “No, I don’t write horror fiction, I write transgressive commentaries on modernist life where social norms are exposed as metaphorical fangs in the collective neck…” But in the world of marketing, it is important to simultaneously embrace and reject established genres. You know, ride coattails while sewing your own.…

A selection of my strangest gifts ever given

November 29, 2011

I write domestic grotesque fiction, which is a term I think I made up, but is quite suiting to the themes and content of my stories and books. The most famous short story that I think would fit into the domestic grotesque genre is “Good Country People” by Flannery O’Conner (visualized quite creepily in this short film from the 1960s and quite cheesily in this student clip). Take a family situation—usually some sort of broken family dynamic—mix in something grotesque—possibly morbid but not necessarily—and you’ve probably got domestic grotesque. As you can imagine, Christmas is a fun time for my family. I’ve given quite a few quirky gifts. Though none could be tagged as grotesque, they are representative of the type of mind that would write a domestic grotesque story, I think. Tis the season and all that, so I figured I would share a few that I’ve so graciously…