Tag: Caleb J. Ross

  • Stranger Will Tour Stop #71: Tom Williams’ blog – In Defense of Concept Fiction

    For this post, so graciously hosted by Tom Williams, author of the incredible The Mimic’s Own Voice, I was going to take the title of his book literally and write something verbatim from one of Tom’s previous posts. But then I realized that such a thing would be stupid. Instead I write about something that I feel I am always defending, so I figure it’s time I write a post about it.

    Click here to read the guest post. Also, don’t forget that if you comment on all guest blog posts, you will get free stuff.

  • Stranger Will Tour Stop #70: Chris Deal’s blog – more comics created using author bio pictures

    Stranger Will Tour Stop #70: Chris Deal’s blog – more comics created using author bio pictures

    Author bio photos often seem to me as stuffy, strangely manicured posturing that is supposed to be a way to connect the reader to the author (and drive sales), but do they work? I’m not sure. However, they are good for displaying humorous captions. Check some out today at Chris Deal’s blog.

    Click here to read the guest post. Also, don’t forget that if you comment on all guest blog posts, you will get free stuff.

  • Stranger Will Tour Stop #69: xTx’s blog and why the hell must I (try to) be so funny all the time

    I’ve been awful about posting notices here telling all you lovely people when I have a new blog tour post go live. And today’s (yesterday’s) failure on my part is especially effed up, as the infamous and aesthetically mysterious xTx has allowed me a day on her blog. See if I ever get invited back.

    I write about my inherent, and unnecessary, need to turn everything I say into something potentially humorous. Success or no, I’m addicted.

    Click here to read the guest post. Also, don’t forget that if you comment on all guest blog posts, you will get free stuff.

  • An extremely stupid book trailer for Stranger Will. Share the stupidness.

    Disclaimer: I actually really love each of the three aristocratic representative books in the above trailer. In fact, Freedom was definitely one of my favorites from last year. It’s just fun to chip away at pillars.

  • under the influence

    Any form of expression is arguably one committed “under the influence.” What we eat, what we say, how we walk—hell, human beings simply walking is really just a biological influence. But historically, for writers, one of the most iconic influences of all time is Absinthe—The Green Muse; a devastating liquor. Everyone from Ernest Hemmingway (his short story “Hills Like White Elephants” comes to mind) to Joey Goebel (with his novel Torture the Artist) has capitalized on the image of Absinthe. What better way to weave my own way into this cultural icon than by way of a lit mag called The Green Muse, with “Refill,” a story about a man governed by substance? I suppose a better way would have been for me to actually use the word “Absinthe” somewhere in the story. But I didn’t.

     

    One of my writing heroes, Denis Johnson, has a few pertinent words on the topic of writing under the influence (of drugs and alcohol):

    “I think it’s silly for anyone to think you could write under the influence, but if they’d like to think that, I’d like to keep the legend alive. Maybe I was under the influence when I wrote Jesus’ Son and I just didn’t know it.”

    Green Muse Review Banner

    The Green Muse is a monthly journal publishing work both online and in print. They are a young journal so be sure to support them (and me) by purchasing a copy of the print journal here.


  • a guilty conscious

    Online literary magazines seemed to me for the longest time some form of blasphemy. Not much compares to the tactile and aesthetic appeal of a printed, bound journal. Maybe that sounds a little creepy, but I’m a creepy guy.

    So when writer and friend Christopher Dwyer posted over at Write Club about this online lit-mag called Dogmatika I wasn’t exactly crushing keys to get over there. But call me a convert.Dogmatika was the eye opener. It stands as not only the first online lit-mag that I read with regularity, but also the first I loved so much that I felt compelled to submit my own fiction. Head over to Dogmatika now to read my short-short, “Petty Injuries.”

    Maybe I was a literary snob. Maybe I yearned too much for the prestige that comes with a printed journal. Maybe I was too focused on the canvas, not the art. I think Albert Camus is correct, that “a guilty conscious needs to confess. A work of art is a confession.”Despite the form, the work needs to get out there.*

     

    *Though I would say that many theorists, the late Jacques Derrida being one of them, might point out the impossibility of separating message from forum, that they are part of the same end. I agree. But that keeps me from being able to use the Camus quote, and I really like Camus’s work. And yes, I used the quote out of context. What are you going to do, dig up Camus’s corpse and tattle? You are? Can you get me a postcard or something?

    Dogmatika Banner Call it the month of Write Club. Four of us have stories in Dogmatika this month. The aforementioned Christopher Dwyer’s Parabola Jason Kane’s Letter From Point Pleasant and Mark Lazer’s Three Times Dead all share page space in June.