[blackbirdpie url="http://twitter.com/calebjross/status/137032988696387584"] I'll start by saying that the recording for this episode cut off prematurely due to dying batteries. I was going to re-record, but the considering the content of the episode, dying off seems especially relevant. Though short, I think this episode addresses some important ideas. What happens to our work when we die? And, more importantly, should we even care? How much should we try to control our future reputation? These questions, and more, will be asked in this episode (but will not be answered; see paragraph one above).
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[blackbirdpie url="http://twitter.com/#!/calebjross/status/40298146336608256"] What good is Twitter, really? How do authors use it? How should authors use it? How can readers use it? How can readers and authors use it together? How many more questions can I type here that essentially ask the same thing? In this episode I talk about how I, as an author and reader, use Twitter. But most importantly, I address its limitations. Enjoy. Send any writing and publishing related questions to caleb [at] calebjross.com. I will answer them in a future episode. Show Notes and Mentions: Yes, again, Jane Friedman teaches at the University of Cincinnati. Twitter handle: @JaneFriedman Personal examples of professional success using Twitter: Invited to contribute a story to a Rainstorm Press horror anthology Live tweeting at literary events such as the reading at Czar bar in Kansas City and the social media panel at AWP in 2011. Many bloggers and authors have contacted me via Twitter…
That blog post title, she jests. In fact, this episode contains a few minutes of me talking to myself in preparation for being a good influence at ESU. ESU approached me a few weeks ago to be the first of their authors to participate in the Fall 2011 Visiting Writers Series. I was and still am honored. Click the download button above to hear me fill some time in my car alone with a few words about the then upcoming reading. Show Notes and Mentions: Ron Carlson Dorthy Allison Peter Rock Yes, Jane Friedman teaches at the University of Cincinnati Here is the link to my interview with Jane at the 2011 AWP conference
How do authors prepare for live readings? What is the draw of a live reading? In this episode I talk about how I approach live readings, set within the context of my upcoming reading in Kansas City with authors Brandon Tietz and Jesus Angel Garcia. Spoiler alert: I agree with you, live author readings tend to be kinda boring. And I agree with you too that the boring angle should be exiled. Show notes and mentions: The Czar Bar reading with Brandon Tietz and Jesus Angel Garcia Jesus Angel Garcia’s nationwide book reading tour The Slap n’ Tickle gallery event
This week I talk about the necessary entrepreneurial spirit of the contemporary author. I know; “boooooooooo” you say. Me too. But the fact is that publishers, even (perhaps especially) independent and small press publishers are relying more and more on the marketing savvy of the author. Is this fair? Probably not. Is it the reality? Definitely yes. Show Notes and Mentions: Ebooks: the latest frontier for spam (via The Guardian) E singles by Axel Taiari and Richard Thomas Broadcastr Photo credit: http://www.flickr.com/photos/rainerebert/
Authors, you have to promote yourself. You can’t avoid it. But you can reinterpret what “promotion” means. Gone should be the negative connotations and skewed associations. Promotion should be embraced. At its core, promotion is simply a way to get readers to you books. As an author, you want people to read your books, right? No. Oh. Then go write a diary and quit muddying the waters for the rest of us! Show Notes and Mentions: Outsider Writers Collective Goodreads.com / Redroom.com The Stranger Will Tour for Strange blog tour Listen to The Art and Authenticity of Social Media: Using Online Tools to Grow a Community (from the AWP Conference, February 2011) photo credit: Chris Devers
Fresh from episode zero comes episode one. See, I'm good at math. Here I talk a bit about the importance of a writer to claim ownership of his/her location. Too many writers, especially newer writers, still equate capital-P Publishing with the East coast (in the US, anyway). The problem with limiting scope to the coast is that it doesn't allow writers to understand their existing context. In fact, I would say that it takes a better writer to leech from barren landscape. Anyone can siphon material from a crowded city. Show Notes:
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