
After watching, be sure to subscribe to my YouTube channel to stay updated on new videos


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Easter Eggs, you know, those hidden references in movies, books, websites, and more that aren’t necessary but are damn fun in a treasure hunt sort of way. I planted a few (13 to be exact) in my newest novel, I Didn’t Mean to be Kevin. In this, part 4 (of4), I reveal references to Chuck Palahniuk (Fight Club) and Geoffrey Chaucer (The Canterbury Tales).
After watching, be sure to subscribe to my YouTube channel to stay updated on new videos
Easter Eggs, you know, those hidden references in movies, books, websites, and more that aren’t necessary but are damn fun in a treasure hunt sort of way. I planted a few (13 to be exact) in my newest novel, I Didn’t Mean to be Kevin. In this, part 3 (of4), I reveal references to Joseph Heller (Catch-22) and F. Scott Fitzgerald (The Great Gatsby).

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Rules are important, especially rules that govern how to write effective prose. But, in the hands of masters, those rules can be broken to great effect. I this, this newest episode of The World’s First Author Video Blog, I examine how three well-known books–Brett Easton Ellis’ American Psycho, Mark Z. Danielewski’s House of Leaves, and Jose Saramago’s Blindness–break basic writing rules, but do so successfully.
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With the right (wrong?) amount of perversion, innocuous book covers can reveal their dirty truths. Here I look at four such covers, extracting from them the perverted undertones. Publishers should be ashamed.
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