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Last year I spit out a filthy little story called “A Trench is No Place for God,” reappropriated, for a good cause, from one of my novels-in-progress. The cause: the 2008 Nefarious Muse short fiction contest. And although this heavy little taste of that novel did not win, I am proud to say the good folks over at Cause & Effect recognized something redeeming and accepted it for their issue 12. Author’s note: This story fits snugly in a war-themed novel that I am working on, inspired by the Tom Waits song “Hoist that Rag.” During a 2007 writing intensive with the brilliant Craig Clevenger (The Contortionist’s Handbook, Dermaphoria, and upcoming-not-soon-enough, Saint Heretic) I reached back into this novel for a chuck I could modify as a stand-alone story. “A Trench…” was that chunk. The best part, Clevenger had some positive things to say (“I love the exchange, a "priest"…

I have known Lynn Alexander and Aleathia Drehmer for a few months, just long enough to realize how much they truly care about art in all its forms. Both women have been past editors over at Outsider Writers Collective (where I met them), but have moved over to head the online lit zine, Full of Crow. My story, “Globe Valve,” is now live as part of their Summer 2009 flash fiction supplement, MiCrow (get it? Micro…). When Lynn approached me about submitting a story, I jumped at the chance. I have rarely worked with a more passionate editor. Author’s Note: I wrote this story specifically for Full of Crow, but intend to leverage it for an upcoming project (more on that in the coming months). On the surface, “Globe Valve,” seems a straightforward vignette involving two people who witness a jumper suicide from the balcony of a downtown condo. But…

Extree, extree! The new issue of Colored Chalk sits ready for consumption amid worthy virtual newsstands/host servers! Also, corruption within the Govna's office! Read all about it! Will I ever be disappointed with an issue of Colored Chalk? No. No, is the answer to that question. How best to describe the issue 8 theme, Broken Clocks? How about a some text from the minds behind the pages: It's the human condition to lick the wounds of our mistakes and pick at scabs of regret. from the original theme by Alex J. Martin Be it misery or reverie, we mutate with our memories, traversing private histories, with critical eyes, and an editor's pen. issue 8 editor, Jason M. Heim Issue 8 contains fine work from Nik Korpon, Justin Holt, Derek Ivan Webster, Richard Thomas, Elizabeth Kate Switaj, Carol Stone, Stephen Graham Jones, Rebecca Gaffron, Alan Frackelton, Linda G. White, Tait McKenzie…

Colored Chalk issue 7, MacGuffins for Hire, is now live. This thing keeps getting better. First time editor Colin McKay Miller, with the design help of Jason Heim, has delivered a stellar collection of fiction and poetry. Each day my pride as a parent swells. This issue features poetry by Michael S. Harper, Meg Kearney, and Howie Good, with fiction by Mary Jo Campbell, Michael Paul Gonzalez, Nicholas Merlin Karpuk, Nik Korpon, M. Kilbain Lazer, Alex J. Martin, K. Curran Mayer, Devin Strauch, and Axel Taiari. Also, Melanie Gillman contributed an unofficial web comic supplement As always, we promote legal theft as a downloadable and distributable .pdf file. Go to the Issue 7 page for details, printing instructions, and visual over-stimulation.

My story, “The Word Will Die Too” is now live at Cherry Bleeds. I have long been a fan of Cherry Bleeds, as they consistently deliver the most visceral, oft-grotesque fiction around. It’s an honor to be a part of that legacy, though fodder for my own self-criticism as well (“Am I really that disturbed?”). Author’s Note: This is by far the most depressing thing I have written to date. It is said that silver lining can be found in even the filthiest Goodwill coat, but when shit like this story comes out of me, I wonder. Also included: perhaps the most disturbing image I’ve ever written (challenged only by an abortion scene in Stranger Will – which you haven’t read, because it hasn’t been published yet).

Grab the kids, alert the authorities, and tune the banjos: the new issue of 1000th Monkey has arrived! Featuring: An interview with OWC’s Naked Opinion generating machine, Tim Hall, with mentions of his forthcoming delicacy, F-Hole Poetry from Jason Michel and Cheryl Townsend An interview with Crystal Folz and from the honorable Caleb J Ross, fake reviews of fake books Author's notes: My pieces, Reviews: Caroline Meyer’s Hidden Cigarette Butt, Joel Reynolds’s Dried Bar of Soap, are an experiment, really. I've often wondered how much can be told of an author by reivews of his books. These peices are character sketches, disguised as reviews. The fun part: the zine itself doesn't address this point. It would be interesting to see how many people try to search out the fake books. Print it, staple it, tuck it away in public places. Email it to heads of state. Breathe its fire! Go…

Pear Noir! Issue #1 is now out (and proud) (unless it is being persecuted for its sexual orientation) (Sorry for outing you, Mr. Noir). With a editor named Daniel Casebeer, does it really matter that the content surpasses much of what I've read in lit magazines lately? Does it really matter that every single story (yes, every single story; even my comparatively lame attempt) touches on brilliance? Does it matter that this new mag has the word 'Noir' in its title, but is colored unabashedly pastel shades of green and pink? It doesn't. I've rarely picked up first issues of lit mags with great expectations (the last being Colored Chalk #1, but only because Master Caleb J. Ross edited the thing - but will, from now on, be called Caleb J. Barrelwhiskey when assuming the editor's role). Author's note to my story, "The Camel of Morocco": Vein Letting is a…

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