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A single feed containing Caleb J. Ross podcasts including Important Question, The Velvet Podcast, and The World’s First Author Podcast as well as a collection of live readings by Caleb J. Ross and his writing contemporaries.

The fine fellows at Booked Podcast, Robb Olson and Livius Nedin invited me over to discuss the reissue of Chuck Palahniuk's Invisible Monsters. Here's a bit from the episode description: Booked reviews Invisible Monsters REMIX by Chuck Palahniuk, with special guest host Caleb J. Ross. It’s more of a book discussion than a review this episode, since this is not technically a new-new book, and there’s a good chance that lots of people listening will have already read it. So we talked a bit about the book, Palahniuk, and (of course) felching. As you do when you talk about Invisible Monsters. Click here to listen to the latest Booked Podcast episode, featuring Caleb J. Ross.

A while ago I got together with Ben Tanzer via Skype to try out a new concept in author book discussions, one that rather than avoid tension and conflict actually confronts it head on. I call this a "Defend Your Work" episode, and I hope you like it enough for me to continue. Though this episode is actually part of Tanzer's (and CCLaP's) New York Stories virtual blog tour, I recorded it originally as part of the 99 Problems book relase tour a year or so ago. Unfortunately, my participation in that tour  never materialized. I don't remember why, but it was probably my fault. Also, please pardon the technical issues with this episode. My recording software malfunctioned at the last minute,  forcing a less than optimal work-around. Also, the buffering audio may give the impression that I am either  interrupting Mr. Ben Tanzer or reacting inappropriately to his comments. Simply put,…

I've been wanting to read "Click-Clack" to a live audience for a while. It's perhaps one of my more unsettling stories. So, I thought, where better to read it out loud than in a sweaty, un-air conditioned room above Prospero's Bookstore. The crowd seemed to dig the story, as much as one can considering the heat. The version linked here contains a few sound effects as well. A lot of my fiction deals with what I call domestic grotesque situations. None are perhaps more fitting to this term than "Click-Clack." If you like it, pick up more of my fiction, specifically my two story collections Charactered Pieces and Mumurs: Gathered Stories Vol. One.

The fellows over at Booked Podcast are gents in the truest sense of the word. By that I mean they are whimsical placcards on the bathroom doors of bar restrooms. Also, they happen to be amazingly active participants in the podcast and reading communities, so much so that they are dedicating many future episodes of their podcast to live readings as recorded during the 2012 AWP Conference in Chicago, IL. Though my reading, done at The Meshuggah Cafe in St. Louis on February 28th, wasn't officially part of the AWP Conference (which started February 29th in Chicago), the entire week blends for me into a single mess of drink, friends, and drunk friends. This recording captures the first time I had read "The Lipidopterist" out loud in front of an audience. All-in-all, I think it worked. Have a listen, then check out Booked Podcast for more. Be sure to subscribe…

Up-front apologies for the sound quality for the first 10 minutes of this episode. Though, don’t let this apology deter you from listening; Pablo’s lovely voice (and Caleb’s less lovely voice) still shine through. After the 10 minute mark, everything becomes crystal clear(er). Caleb J. Ross and Pablo D’Stair discuss a recent tweet sent from @calebjross that speaks to the problem of authors and their reading habits, particularly about how being a writer tends to lessen the enjoyment of reading. Of course, part of the enjoyment that writers get from reading comes from the dissective act of reading, but what about when we just want to enjoy a damn story? Is it possible for a writer to be a passive reader?

BananaFlash [powerpress] Fresh off of his announcement of a contest in which he will challenge any writer of crime flash fiction in a monetarily-prized writing battle, Pablo D’Stair explores with Caleb J. Ross the impetus to his denouncement of the abbreviated medium and what exactly it is about the flash form that has elicited such a reaction. Caleb J. Ross (I Didn’t Mean to be Kevin, As a Machine and Parts) and Pablo D’Stair (they say the owl was a baker’s daughter: four existential noirs, you’re dead and i killed you: a conversational anthology of crime, noir, and murder) discuss the idea of flash fiction, particularly how it speaks to the writer’s ego, perhaps more than it does a reader’s interest.

[blackbirdpie url="http://twitter.com/calebjross/status/138063727013527552"] NaNoWriMo is a month-long event in which writers of all experience levels attempt to write a 50,000 word novel during the month of November. Sounds good, right? There is a sense of accomplishment for accomplishment's sake with vomiting so many words, with setting and meeting a goal. However, I'm not so couch-therapy optimistic about it. Send any comments on this episode, or any writing and publishing related questions to caleb [at] calebjross.com. I will answer them in a future episode. Show Notes and Mentions National Novel Writing Month official website Follow comedian Doug Wilson at @idigthedoug

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