[blackbirdpie url="http://twitter.com/#!/calebjross/status/40298146336608256"] What good is Twitter, really? How do authors use it? How should authors use it? How can readers use it? How can readers and authors use it together? How many more questions can I type here that essentially ask the same thing? In this episode I talk about how I, as an author and reader, use Twitter. But most importantly, I address its limitations. Enjoy. Send any writing and publishing related questions to caleb [at] calebjross.com. I will answer them in a future episode. Show Notes and Mentions: Yes, again, Jane Friedman teaches at the University of Cincinnati. Twitter handle: @JaneFriedman Personal examples of professional success using Twitter: Invited to contribute a story to a Rainstorm Press horror anthology Live tweeting at literary events such as the reading at Czar bar in Kansas City and the social media panel at AWP in 2011. Many bloggers and authors have contacted me via Twitter…
Category Archives Author Podcast
Here I chew, swallow, and every-so-often successfully digest various aspects of the writer’s life, from rejection to success, sober to drunk. The World’s First Author Podcast is for writers looking for a bit of navigation through the increasingly fractured path to publishing success…maybe.
Virginia Woolf was an advocate of a writer having a dedicated place to write, as examined in her famous essay "A Room of One's Own." I know, the essay speaks specifically to women and how their treatment as lesser citizens prevented them from potential as serious writers. Hence, having the financial and social freedom afforded (or perhaps implied) by having a room of one's own would be what makes the writer as woman a more accepted presence in the world of books. But me, I just read the title of the essay and have taken from it what I want. Most writers would agree a dedicated writing space is important. But is it really? Is there something to be said about the paralyzing effect that comes with such a freedom? Is the wish of a dedicated room just an excuse some writers use to explain lack of productivity? Show Notes and Mentions:…
A few days ago I had the pleasure of being the first writer to participate in the 2011-12 ESU Visiting Writers Series. This was an enormous honor for me, as my time at ESU, those many years ago, was a formative (and formidable) time in my life both as a writer and as a person. Unfortunately, those times did not serve my tech savvy side well, as I failed to change the batteries in my audio recorder and thus came away with only the first 15 minutes of the 2 hour presentation. Oh well, hopefully ESU will invite me back soon. This episode contains a reading of a couple of stories I've read before. But it's worth checking out this new episode if only for the immensely humbling introduction from my ESU professor, Amy Sage Webb.
That blog post title, she jests. In fact, this episode contains a few minutes of me talking to myself in preparation for being a good influence at ESU. ESU approached me a few weeks ago to be the first of their authors to participate in the Fall 2011 Visiting Writers Series. I was and still am honored. Click the download button above to hear me fill some time in my car alone with a few words about the then upcoming reading. Show Notes and Mentions: Ron Carlson Dorthy Allison Peter Rock Yes, Jane Friedman teaches at the University of Cincinnati Here is the link to my interview with Jane at the 2011 AWP conference
Way back in June 2011 when I started this podcast, my goal was to post a new episode each week. For those of you who look forward to weekly episodes I apologize for the absence as of late. I have good reason. But I'll be back soon enough. So, what the hell have I been up to? Submitting my final I Didn't Mean to be Kevin edits before submitting the final manuscript to Black Coffee Press Completing a 6,000 word short story for an upcoming fake biography of the band Paris and the Hiltons Completing a 3,000 word short story for an upcoming horror anthology Completing a 3,000 word short story for a Sri Lanka literary publication Starting a 25,000 word novella for a top secret project. More details to come when I'm given permission to spill the beans. My wife and I just bought a house and are in…
I've noticed that this podcast is slowly becoming less a weekly self-discussion platform for me to ramble on about crap and more a database where I can store audio snippets of my various non-self-discussion rambling ons about crap. You're welcome. With that in mind, this "episode" is a recording of a live reading at Czar Bar in Kansas City, MO on August 7th. The event was a huge load of fun. The roster consisted of myself, Brandon Tietz, Michael Gomez (as the emcee), DJ Preston, and the always amazing Jesus Angel Garcia. You'll love this "episode," quotes and all.
How do authors prepare for live readings? What is the draw of a live reading? In this episode I talk about how I approach live readings, set within the context of my upcoming reading in Kansas City with authors Brandon Tietz and Jesus Angel Garcia. Spoiler alert: I agree with you, live author readings tend to be kinda boring. And I agree with you too that the boring angle should be exiled. Show notes and mentions: The Czar Bar reading with Brandon Tietz and Jesus Angel Garcia Jesus Angel Garcia’s nationwide book reading tour The Slap n’ Tickle gallery event