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Shit! As a word-smith I would normally attempt to describe my elation with greater pungency. But...shit! Co-editor, Richard Thomas, has taken this new issue of Colored Chalk, theme: Waking Up Strange, and exceeded all expectations. So...shit! Not only has he designed a stunning issue, but he has also managed to corral stories by some of the best writers around. I won't ask his secret, for fear of being an accomplice to something. Look at this list: Joe Meno (whose collection "Demons in the Spring" is a finalist for the fifth annual Story Prize for outstanding short fiction), Joey Goebel (author of the fantastic "Torture the Artist" as well as last year's "Commonwealth"), Rayo Casablanca, author of the forthcoming "Very Mercenary," follow-up to last year's "6 Sick Hipsters"), Alex Cassun, William T. Allen, Axel Taiari, Christopher Dwyer, Craig Wallwork, Nik Korpon, Joe Dornich, Jeff Macfee, Richard Martin, Edward J. Rathke, Chris…

Another fine yarn from ye olde Caleb J Ross takes valuable web space away from more needy charities. This one, an excerpt from my unpublished novel, Stranger Will, is called Formaldehyde and appears at the never disappointing Red Fez. Formaldehyde is a bastardized version of the opening chapter of Stranger Will, very much pulled apart and reassembled into something with its own horrible intentions. This is all to say that if you don't like this story, then you may still love Stranger Will. However, if you do love this story then I take back what I said above; this story is exactly like the rest of the novel.

The new issue of UK's Gold Dust Magazine is available for sale. Also as a free .PDF download. Acquire by any means necessary. Featuring fiction by Alan Kelly, Jim Meirose, Robert Edward Sullivan, Robert Dando, the always impressive Christopher J. Dwyer, the always disappointing Caleb J Ross, THE Richard Thomas, V Ulea, Sam Szanto, and the get-your-autographs-now-because-he-will-be-dead-(and-famous)-someday Nik Korpon. Also, crammed inside is an interview with China Miéville. I'm so damn happy to share page space with names like these. And now for the self-petting portion of the post. Author's notes: I've long been interested in the artist's (in this case, writer's) lack of control once a piece has its frame and audience (in this case, its binding and reader). The audience truly has more control over a work of art, writing, whatever, than the creator. A jury of our peers, sort of thing. Authorial intent is important for the…

Issue Five of the Colored Chalk zine looms. Kidding. It's here. I don't want to blow too many minds here, but this issue has some fantastic writing by some fantastic writers (and one shitty writer named Caleb Ross). Do we have Peter Schwartz? Yep. Richard Thomas? Certainly. Alex Martin? Definitely. Michael Morey? Let me check...yes. Stephen Graham Jones? Come again? Stephen Graham Jones! Absolutely! Colin McKay Miller? Si. Edward J Rathke? Right. Jason Heim? Affirmative. Charles King? Beautifully. Nik Korpon? In all his glory. Don't forget, Colored Chalk can be viewed online, but it can also be printed and stapled for local distribution. Perfect for coffee shops and nursing homes. Issue Five theme: Sins of the Father: The sins of the father shall be visited upon the son a thousand times. Of all the false echoes and random bits and pieces of broken verse and mangled axioms that were sunk…

The second annual issue of The Literary House Review has just been released. Why should you care? My story, "The Camp," appears within. That's why. Never mind that the publication contains 232 pages of genre and non-genre, commercial and literary fiction, along with poems enough to erect a mansion - albeit one inconveniently susceptible to moisture (guess what paper, you make a better art medium than a wall!). Never mind that The Review is available to buy here or here and is archived at New York Public Library, Rockefeller Library at Brown University, RI, and at the University of Wisconsin Madison Library (those are monocle-level smart houses, people). Buy it for "The Camp." Now for the author notes: As so many stories begin, "The Camp" was a self-inflicted dare. The concept of "The Camp" is seeded in a desire to explore the horrid through a lens subjectively aimed toward beauty.…

I've been clicking over to 3:AM Magazine for quite a while now. I can't remember where I first heard about it (probably from Dogmatika, where I hear about most every great thing in the underground lit scene), so I can't place praise with full accuracy. However, I can pass on the good word. And what better way to do so than via the news of my own story, "Snake Girl at Scab," getting some page space. Some author notes on the story: During my first visit to Portland, Oregon (USA), some locals took us to an event called First Thursdays, a neighborhood art gallery orgy (artgy, if you will) with booths, food, music, and lives to be changed. Most cities have these types of events, but due to a strange encounter involving an emotionless girl carrying a snake, this artgy impacted more than normal. The snake girl depicted in this…

Issue Four of the Colored Chalk zine has hit the virtual bookshelves. I swear, this thing just keeps getting better. And I don't say that as an ego stroke considering I am a co-editor. The proof: I had absolutely nothing to do with this issue. This issue contains some fantastic stories by Charles King, Richard Thomas, Jason Kane, Colin McKay Miller, Chris Deal, Michael A. Kechula, Gary Paul Libero, Gavin Pate, Michael Paul Gonzalez, and Tyson Estes. As always, the issue can be viewed online and can also be printed and stapled for local distribution. Call it permissible thievery. Issue Four theme: Big Brother in my Pocket: Surveillance used to be difficult. Tracking a person’s every move required a lot of legwork. Following, stalking, tracking, chasing. Exhausting. These days, you’ve got digital, got the capability to replicate every letter, every word, every sound, every pixel. Record. Upload. Share. Show everyone.…

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