Category: Marketing & Promotion

  • Tim Hall’s One Damn Thing After Another, preorder open

    Tim Hall’s One Damn Thing After Another, preorder open

    I’ve been a fan of Tim Hall’s since first coming on board with Outsider Writer’s Collective over a year ago. His articles were always great (his Open Letter to Oprah Winfrey as part of his Naked Opinion column is especially good), the email and forum exchanges I had with him consistently proved his dedication to both his writing and the writing community at large. His four books, published through his own Undie Press label, are all quite good. So, of course I’m damn happy that his newest book, a fiction collection called One Damn Thing After Another, will be the next title released through OW Press.

    I urge everyone to preorder a copy. Preorders will be a specially designated, signed, limited edition which will include a corrected manuscript page tipped in, original artwork, and other goodies. Head over to the OW Press page for full information. Books will begin to ship out on February 16th.

  • Oprah Read This > Oprah, Read This

    Oprah Read This > Oprah, Read This

    The easiest characters are those with baggage included.

    OPRAH READ THIS > OPRAH, READ THIS is a collection of stories that each leverage the name-recognition of other writers to impart a meta-layer of interpretation. These are fictions. The writers are not. Here, we explore the overlap.

    This collection will be live for 11 months: January 2010-November 2010

    Writers include:
    Mel Bosworth/Henry Miller
    Chris Deal/Chinaski/Charles Bukowski
    Christopher Dwyer/Jane Austen
    Paul Eckert/Kurt Vonnegut
    Gordon Highland/Stephenie Meyer
    Nik Korpon/Dexter Morgan
    Caleb J Ross/Sarah Palin
    Kevin Sampsell/Mary Gaitskill
    Richard Thomas/Stephen King
    Nathan Tyree/Tao Lin
    xTx/Stephen King

  • Charactered Pieces officially on sale, embarassing pictures to be had

    Charactered Pieces officially on sale, embarassing pictures to be had

    Today, Charactered Pieces officially goes on sale after an absolutely amazing pre-sale period. I can’t thank enough the many people who have traded their hard-earned cash for these bound words of mine. Due to such generosity, I have decided not to use the money to purchase a new Lay-Z-Boy for the PETA compound. They will get a used chair instead. The remaining money goes toward R&D for more painful ways to stub toes. It’s a cause that is close to my heart.

    Charactered Pieces is available to purchase in two formats:
    1) a perfect bound print version: $7.00 US
    2) a .pdf eBook version: $2 US

    Either of which can be purchased by visiting the Outsider Writers Collective purchase page.

    Now starts the real struggle: getting as many eyes as possible on those pages. I’m truly, honestly, non-fakingly proud of every word in this collection. For that reason, I want to reach as many people as possible (I assure you, I make next to no money on these books, so my motivations lie solely with readers, not sales).

    After reading the collection, should you be so kind as to post a review or even a few comments, somewhere (your person blog, a lit mag site, GoodReads.com, your MySpace or Facebook page, or Amazon.com – where the book should be available in the coming weeks) send me a link to the review (or, in the case of a print periodical, a note about your review’s publication) and I’ll respond with an embarrassing picture of myself. I am aware that that pictures of me are among the least desirable images in the history of photography, but come on. Alright. Come on.

    You could get:

    • Dressed as a Ninja (in high school)
    • White body, kinda skinny on the beach
    • Still white body, but kinda chubby on the beach
    • Dreadlocks afraid of the camera
    • In junior high, doing the splits in crazy short shorts
    • or one of many more…

    The pictures are yours to do with what you wish. I only ask that should you post them publicly, you do so with an as funny caption as possible. Or if not funny, just make fun of me.

    Finally, should you be interested, check out my few words on the cover design, over at ArtJerk.net. Here’s what ArtJerk is all about:

    Art is not art without an audience. Our goal: to wax some visual intrigue and give it (or promote its already established) audience.

    We are a small group of friends with a passion for dissecting and understand our surrounding visual accoutrement. We may pull pieces from local galleries, art shows, the internet, and perhaps a few nooks and crannies, too.

  • CHARACTERED PIECES preorder open!

    CHARACTERED PIECES preorder open!

    A few of you know how unbelievably happy I am to say this. The rest of you will likely get tired of me saying this: my story chapbook is now officially available for preorder! Books will ship around November 16th.

    All preorders will receive a copy of the book, along with the following:

    • A (very) personal inscription. Note the specific name you would like the inscription made out to in the PayPal comments area. Also, note my use of the word “very;” I warn you: you may be disturbed by what I write. If you would rather a flat-signed, or “clean” copy, note that in the PayPal comments area as well.
    • A picture of me signing the book (so there are no Antiques Roadshow conflicts 90 years from now)
    • As part of the made up LUNGS FOR READERS program, each preorder will smell of delicious ACID cigars. Trust me, even if you don’t like cigars, you’d love the smell of ACIDs. Imagine if cinnamon and Italian food had a veal baby*. Think of this, too: OW Press is mailing these out in the middle of Winter (where I am, anyway), meaning that I have to sit outside, freezing, to bring you the smell of these cigars. My pain, your gain.
    • Whatever other fun stuff I can find to cram between the book’s pages

    That’s all the bulleted aspects above and 63 pages of some quite fantastic writing. How much? you ask. $7. Seriously, OW Press and I don’t make any profit on this (unless hundreds of copies find their way into the world). You are buying love. Money goes back into making more books.

    PREORDER HERE, at the OW Press Charactered Pieces page.

    For more general information on Charactered Pieces, take a look at my info page, here.

    Preorder now. I only get to touch the books once, so I can’t personally inscribe after the initial round of inscriptions. Unless we meet awkwardly in public somewhere. Hint: I’m the guy in the trench-coat…

    Also, don’t forget to subscribe to my RSS Feed. I don’t only whore myself, as you’ve seen here. Check my archives; I post interesting stuff too.

    *Drew Estates (the makers of ACID cigars) don’t endorse me in any way. They goddamn can if they want to, though. This is an official offer: I will become (continue to be?) a Drew Estates whore if I get some free cigars.


  • CHARACTERED PIECES is coming!

    CHARACTERED PIECES is coming!

    Coming soon(ish): CHARACTERED PIECES by Caleb J Ross. Neat!

    I’ve done a lot of work for Outsider Writers Collective over the past year, so I can vouch for all of the energy that goes into their chapbooks. Well, into their first chapbook, anyway (CHARACTERED PIECES is only the second OW Press book). I did some editing and the cover design for the first book, ANTISOCIAL by David Blaine. Now, it’s my name on the cover.

    A chapbook, for all who may not know, is the e.p album of the writing world, acting as a taste medium of things to come. CHARACTERED PIECES will consist of eight stories, four of which have been previously published (in print journals, so not many people have read them).

    More than most things in my life, I am damn proud of this collection.

    The print-run will be small (likely, beginning with 100 copies). I beg you to buy a copy, not only to satiate my ego, but to help ensure OW Press is able to produce more chapbooks. OW Press operates on a zero profit model for the time being, putting all book sales monies back into the press. I state this to assure you that nobody at OW Press lights twenty-dollar Davidoffs with your money.

    More to come, including pre-order information, the final cover design, and probably a few giveaways. If you haven’t yet subscribed via RSS or signed up for my newsletter, now is a great time to do so. I’m not exactly sure what is to come, but I know it will be great.

    Subscribe via RSS
    Newsletter sign up

  • Solid Gold perspective

    Solid Gold perspective

    There is little inherent meaning in things. Objects are defined by their context. For example, in the African savanna, an elephant keeps an eye out for lions and crocodiles. In a circus, an elephant had better do some tricks. In both scenes, the elephant itself does not change. But the way it is described would change dramatically. Context defines everything.

    So went the impetus for my story “Vertigo Unbalanced,” which has been recently reprinted in the Gold Dust Magazine anthology, Solid Gold (Merilang Press). Strangely, so to went my personal reacceptance of this piece. Once a story is physically printed (a form of context) the new medium has a way of changing a story. Every detail suddenly becomes striking, flaws and strengths alike. But of course, from the author’s perspective the flaws stand out more. So when “Vertigo Unbalanced” was first published in Gold Dust Magazine late last year, I wasn’t as comfortable with the story as when I originally wrote it. But now, after having reread the story in the printed Solid Gold anthology, I love it all over again. Truly, one of my favorite, if not one of my best.

    Included in the anthology is the great Alan Kelly (now and editor over at 3:AM Magazine) and the brilliant Craig Wallwork (who was kind enough to interview me a few months back).

    Buy it from Amazon (UK)
    Buy it from Amazon (US) (forthcoming link)

  • Norman Rockwell is Full of Baloney

    Norman Rockwell is Full of Baloney

    I’ve long used the phrase Norman Rockwell nostalgia as a way to describe those yearnings for simpler times that, in truth, never existed. We watch reruns of Leave it to Beaver or Lassie and imagine how great it would have been to have lived during those depicted times, times when war meant girls and the biggest threat to our national heath was undercooked vegetables. Because these hyper-polished versions of reality were standard TV fare, they became following generations’ standard understanding of better times. But again, this type of harmony never existed. Is it escapism that causes us to willfully absorb into obvious fictions (along with the 1950’s audience who would have seen these shows during their original runs)? I think so.

    Can this concept of escaping to a fading past continue in a time when everything is recorded and youtubed? Will we ever have the opportunity to be fooled by perceived past better days?

    Luckily (for you and me), I’m not burdened to find a solution. Instead, I can just write about the problem. My story, aptly titled “Norman Rockwell Nostalgia,” is now live at the October Full of Crow. Read it. Absorb it. Fear the future.