Category: Marketing & Promotion

  • How can authors use Google Analytics Events Tracking to understand their readers?

    How many times did readers download your sample chapters? How many times did readers view your new book trailer? How many times did your website visitors click a button to buy one of your books? How many times did someone click a link to read one of your stories posted at another website? All of these items can be tracked using Event Tracking in Google Analytics.

    What is Event Tracking? I’ll leave the details up to Google itself, but for our purposes think of Event Tracking as a second, deeper level of website analytics. Most of you are probably using your analytics program primarily to track how users interact with your website on a macro level (how many visits, most popular pages, how long visitors stay, etc). Event Tracking allows a micro level of tracking, where actual clicks and downloads on specific pages can be tracked.

    Anywhere a user can click, Event Tracking can be used. Let’s look at an example that an author could definitely use. (more…)

  • Choosing the right blogging platform for an author: it’s all about scripts and Google Analytics.

    (Announcing a new post category: Search Engine Optimization for Authors. Well, it’s new in that I’ve finally given a name to it, but as you can see by clicking over to the category, there are a few past posts that fit within this category)

    If you’ve read Christina Katz’s fantastic Get Known Before the Book Deal, or have been at all concerned about building that illusive “platform” so many industry types talk about then either 1) you are an author with a career somewhere between beginning and burgeoning, or 2) you’re interested in the publishing industry for slightly different, though I’m sure equally masochistic, reasons. Either way, one of the cornerstones of author presence in our Web 2.0 world (aren’t we at Web 2.1 yet, at least?) is the blog. Despite its cornerstone status, many authors aren’t sure where to begin. Or worse, they take the leap into bloggery without considering how to leverage such a forum for their own career goals (okay, time to put on the Purina checkerboard slacks, you sleazy salesman). (more…)

  • Solarcide interviews me, one of the most interesting interviews yet: The Digital Age of Domestic Grotesque

    Nathan Pettigrew, one of the two minds behind the lit site Solarcide, asked me for an interview a few days ago. This guy knows how to ask questions, ones that not only evoke my own passion for the subject matter but also make it easy for me to answer in a way that is hopefully entertaining for readers.

    Head over to Solarcide now. Read the interview. Learn of my greatness.

    Here’s a taste of Nathan’s humbling intro:

    He’s one of literature’s most lethal rising stars and highly prolific with not one, but four new releases in 2011.

    His debut novel from earlier this year, Stranger Will (Otherworld Publications), established Caleb J. Ross as a true talent to be reckoned with. His writing can be described as stylistically beautiful while depicting some of the darkest and most disturbing worlds that fiction has to offer.

    Picking up on concurrent themes throughout his work pertaining to family, some have begun to refer to his style as Domestic Grotesque—a genre all his own.

  • How to standardize your author name for search engines

    The always wonderful Jane Friedman recently posted and responded to a question from a writer about the standardization of an author name and how search engines interpret (or cannot interpret) the various spellings of a single author’s name. I won’t post Jan O’Hara’s entire question here, but definitely check it out. A representative excerpt follows:

    Depending upon the blogging platform I’m using, it variously codes my name as OHara, O’Hara, O\Hara, or Hara…While some search engines or bookselling sites prompt the reader to find the correct spelling, this is not consistent. I cannot be guaranteed a reader who searches for “ohara” will be sent on to “O’Hara.”

    This is an important dilemma. In fact, it’s one I myself have wrestled with for years. The truth is, way back in 2000 or so when I first started seriously considering a career as an author, I went by Caleb Ross (sans the middle J ). The reason: calebross.com was already taken. And not just by another nobody. Caleb Ross is apparently a well-known actor, most famous for his role on TV show called The Tribe. So, my secret goal in life was to become so popular that searches for Caleb Ross would instead lead to Caleb J. Ross content.

    But after so many years of fledgling popularity, I pretty much gave up and decided to focus (rightly) on my writing instead of my name. Little did I know that focusing on my writing would become a huge help in gaining that coveted #1 position in the search results (more on that later). As I become more aware of how search engines work my efforts to take the #1 position became more focused. How did I do it? How did I “train” the search engines to know that searches for Caleb Ross could indicate a desire for Caleb J. Ross content?

    First, how do search engines work?

    I eat and breathe search engines, but I understand that most people don’t. Therefore, I want to give a quick summary of how a search engine works, with special respects to the problem of standardizing names. If you know how search engines work, skip this first section.

    When you do a search on Google (I’ll speak to Google specifically here, but most of this information can be applied to any good search engine) the search engine results page (SERP) is not actually displaying live data from the websites it lists. Instead, the SERP is actually showing copies of the website data. Google routinely takes snapshots of every website in the world (called crawling or spidering) and stores copies in its own databases (called indexing), much like a giant file cabinet. Why is this important? Because before a search engine displays the results for a query, it is applying a top-secret algorithm to all of the websites in its file cabinet. This algorithm attempts to determine which websites are most relevant to your search query (FYI, the fact that websites are indexed on Google’s own servers rather than stored only on local website servers is one of the reasons why search results appear so quickly…if that interests you, look for your Welcome to the Nerd Club membership card in the mail shortly).

    So how does Google decide that one website is more relevant than another? How would Google know that when someone is searching for ohara that he actually means O’Hara? That, my friend, is why Google rules the world. Few people know the actual algorithm. However, there are some known factors which can be used to help make sure Google understands that ohara is the same person as o’hara.

    The importance of proper anchor text

    One of the most important ranking factors is inbound links, which are the links on other websites that point back to your own site. Google considers each inbound link like a vote for the linked site. Basically, the more other sites link to your site, the more important Google assumes your site to be. Of course there are caveats to this, but the basics are all we need right now. But the link itself isn’t all that matters. Also important is the anchor text, or the highlighted part of a link. For example, in this sentence the anchor text would be “this sentence.” For a better example, see the first paragraph of this (already lengthy) blog post where I link back to Jane Friedman’s blog using the anchor text “posted and responded to a question from a writer about the standardization of an author name.” Basically, I am telling the search engines that the linked page on Jane Friedman’s blog has something to do with a question from a writer involving the standardization of an author name and that Jane Friedman’s blog should get a vote for that query.

    Back to author name standardization. If I want people searching for Caleb Ross to see calebjross.com in the search results, one way to encourage that would be to place links throughout the internet that point to calebjross.com and contain the anchor text “Caleb Ross.” And this is exactly what I did.

    Since March I have been involved in a 70+ blog tour where I have offered guest posts to a variety of literary and author blogs. Each blog post contained a short bio, in which, for the last 10 or so guest posts, I included the following line (links included):

    This is a guest post by Caleb J Ross (also known as Caleb Ross, to people who hate Js) as part of his Stranger Will Tour for Strange blog tour.

    What seems like a slight humorous aside is actually a conscious effort to help Google understand that people searching for Caleb Ross may in fact mean Caleb J. Ross. Couple this sly insertion with the boatloads of content I was creating and distributing online, and eventually the search engines recognized that Caleb J. Ross may be worthy of Caleb Ross searches (though The Tribe’s Caleb Ross still appears predominately in image searches…and rightfully so; he’s way better looking than me).

    The importance of tying all of your social profiles and blogs together

    We all have social profiles. Way too many social profiles. Counting all of the profiles I maintain with regularity, I have about nine. Most social profiles offer an area to include external links to other sites. Utilize these areas to include links to each of your other social profiles.

    For the more advanced user consider implementing the rel=”author” markup. I won’t go into depth about how to implement it (go to this official Google support answer topic for in-depth info), but it is important to understand its potential power. Consider this: you write for multiple blogs, have multiple social profiles online, and you want to help Google understand that single authors often produce content all over the internet. Enter the rel=”author” markup. When implemented correctly, here’s what a SERP will look like:

    Google has been pushing this markup a LOT lately. And if Google is pushing something, you can be certain that it is important, or at least will be in the near future.

    Which brings me to Google+. To some, Google+ is just another social network. To search engine nerds like myself, Google+ is nothing short of a revolution. I won’t turn this post into a manifesto, but I do want to highlight a couple very important aspects of the Google+ profile. First, at this time Google+ requires either a real name or a known pseudonym which means the name in a Google+ profile will certainly carry more weight than a name in a different social profile. My recommendation is to build your Google+ profile around your preferred professional name. Second, Google+ contains a dedicated profiles sidebar (see screenshot below). Most important to note is the “Contributor to” section. If you’ve read this blog post then you probably already know what to do here. If you skipped everything above: list the author archive page urls for all the blogs you contribute to in this section.

    Now, go to sleep. This has been quite the lengthy post.

  • How do readers choose books? (Poll Results)

    How do readers choose books? (Poll Results)

    I’m a data nerd. I’m a spreadsheet and chart nerd. Therefore, I could have made this lede a bit shorter and simply said “I’m a nerd.” Recently, I conducted a very unscientific poll on Twitter and Facebook, asking a general group of readers how they decide what to read when choosing a book.

    While this is an admittedly small poll with a slight slant toward people I know, even if tangentially (they are connected to me via Facebook and Twitter in some way), I feel the findings are still valid, at least as part of a possible larger survey. If anyone has the resources to conduct a larger poll, contact me. I’d love to see the data.

    Here are the results:

    Observations:

    • It has long been said that word of mouth is the best advertising for books, so it is slightly surprising to see “Recommendations” appear 3rd on the list.
    • “Author” being so high on the list is not surprising.  We live in egotistical times. And with the embrace of ego comes the worship of ego.
    • I didn’t think that “Cover/Title/Synopsis” would have been so important.  It is especially interesting that this option was a voter submitted option.
    • “Price” is very far down on the list. In a world of so much free content, seeing that people are still willing to pay for perceived value is encouraging.
  • If you’ve read Stranger Will, you will definitely want to see this!

    During the preorder phase of Stranger Will (around January(ish) of 2011) I decided to do something special, as I try to do with all of my book preorders. With Stranger Will, the temptation to integrate the preorder extras into the thematic content of the book itself was obvious and too persistent to ignore. A large part of the book deals with the trade of messenger pigeon messages between a woman named Mrs. Rose and to-be parents who are, shall we say, less than excited about their coming children. What comes of these transactions is an intricate, yet intentionally misdirected, sales pitch designed to encourage the to-be parents to abort their pregnancies. Heavy stuff, I know.

    I decided to use one of those exchanges presented in Stranger Will as a base for expanding the communication chain into a longer dialog between Mrs. Rose and a parent. What became of this is a 14-part, all dialog, short story titled “Noise” (the title should be understood by those who have read the book). The distilled version of this dialog can be found in chapter 22 of Stranger Will).

    Here I present “Noise” in it’s entirety. If you have a copy of Stranger Will in hand, I recommend re-reading chapter 22 to get the full effect. For those of you who don’t have a copy of Stranger Will, what the hell are you waiting for. Buy it!

    (My handwriting is pretty bad, I know. Click here to skip down to the text-only version)

    Noise

    Noise

    Mrs. Rose: It’s easy to rationalize what we are doing. The emotion is what gets in the way. That may change one day; we are still evolving.

    Parent: Eugene, he’s a good kid, I want to be careful with how I say this, raising him feels like a failure from the start, you know? Of course you do.

    Mrs. Rose: Of all people, yes, I know. You build this thing, this thing becomes a person, and slowly the realization that this person will never be immortal, this person will never be perfect, this person will die, that realization hits hard. This person will be forgotten.

    Parent: I remember the first time I questioned everything. He was young, three or so. He burned his hand on a candle, twice in one day. Twice. He knew the pain the first time, he felt it the first time, cried for most of the day. Times like that, I wonder. But he loved me that day, too. Made me hug him more than he ever had. Maybe we shouldn’t do this. Maybe this whole idea is wrong.

    Mrs. Rose: Don’t start inventing memories on me. He’s a kid, for sure, but a good kid? Sometimes people forget what words really mean, what power words have. Be more powerful than the words. Hell, power is why we started this discussion anyway, right? Or the belief in false power. Proceed as planned. Be the strength we are trying to craft.

    Parent: Maybe he didn’t hug me more that day than any other…

    Mrs. Rose: I am confident of that.

    Parent: But maybe I’m missing something. Sometimes, I feel like one of these messages is gone, maybe. Maybe there’s something important that I’ll never have the chance to know.

    Mrs. Rose: All the messages are there. You’ve already made the right decision. I just helped you see what you already knew.

    Parent: So, when do we meet next? Where? I hate to take such a practical approach to things, but practicality is all I have left. I’m working on stripping the emotion away.

    Mrs. Rose: No need to meet. Just send him to school like always. After that, the less you know, the better.

    Parent: So this is it? I don’t need to do anything else?

    Mrs. Rose: You have already done more than you, me, anyone could fully comprehend. God is, by definition, beyond comprehension. I’m not calling you God. But it’s okay to admit similarities.

    Parent: He’s become a source of regret, as you know. I’m just unable to care for him anymore. Raising a child is hard. I feel out of options. So, the 23rd then? Monday. He’s a difficult child to care for and this is the best way for all of us. I need to believe this. It’s hard, though.

  • Spinetingler Magazine reviews Click-Clack from Warmed and Bound: “This vignette is a song masquerading as short story. It achieves this with a brilliance as flawless as any modern masterpiece of music.”

    Spinetingler Magazine reviews Click-Clack from Warmed and Bound: “This vignette is a song masquerading as short story. It achieves this with a brilliance as flawless as any modern masterpiece of music.”

    “Click-Clack” is a favorite of my stories. It has a rhythm and a focus that I am particularly proud of. So, it makes me all warm and bound to read Matthew C. Funk‘s review of the story at Spinetinger Magazine. Spinetingler, for whatever beautiful reason, has decided to review a handful of stories from the recent Warmed and Bound anthology, in which my story, along with 37 others, appear for your reading pleasure.

    Rather than blather on, I’ll just post a few of Mr. Funk’s words:

    Click-Clack by Caleb J. Ross is attuned to these mortal rhythms, and makes them sing seamlessly in a narrative that is as much a ballad as it is lyrical prose. This vignette is a song masquerading as short story. It achieves this with a brilliance as flawless as any modern masterpiece of music.

    Ross crafts wondrously illustrated personalities. Jack and Ernie are vivid as both symbols in a fable and people in a beautiful and brutal struggle.

    This deep understanding of the dynamic between father and son is just one aspect of Click-Clack’s beauty. Ross also infuses the work with flourishes of consonance, rhyming words in a subtle way that make the power of rhythm a real force for the reader…His rhythms run through it like tides. They rise and fade in the writing like the passing of trains.

    Click-Clack hits all the right notes. It is a pin-point, sad-hearted portrait of the track of birth and death that fathers and sons must follow. It took on speed, swept me up and kept echoing after it passed…Do not miss this train.

    Read the full review at Spintingler Magazine. While there, take in the rest of the words, both kind and not so kind, about Warmed and Bound.