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I'm honored to have been able to spout off a bit for the newest issue of Surreal Grotesque magazine. Here's a taste: Your work doesn’t really resemble a genre in any way, which is nice, although people try to pigeonhole certain writers as being Chuck Palahniuk-esque or in the vein of “urban noir”. If you had to describe your writing style of work to someone who has never read you before, how would you describe your writing? I use the term Domestic Grotesque a lot, which basically means family dynamic meets visceral irrationality. The best example I can think of—though this book came out after I coined the term Domestic Grotesque—is Matt Bell’s Cataclysm Baby. A lot of Brian Evenson’s work would also fit. I love the imagery I can get away with when I write the grotesque, and I love the inherent tension when dealing with a family and…

Yesterday I had the delightful pleasure of talking with Evo Terra and Jeff Moriary of ePublish Unum's Books and Beer series about my efforts as a "YouTube author" (quotes unnecessary; nobody actually used the term YouTube author during the entire chat). We talked about how I (and other authors should probably) use YouTube not as a vehicle for pushing my books onto unwilling buyers, but as a way to showcase my personality. You know, lube the audience into acceptance. I had a ton of fun talking with these guys. After watching my video (below) be sure to check the ePublish Unum site for a ton more great author videos.

Thanks to Gordon Highland for bringing this Charactered Pieces review to my attention. Generally my ego is a pretty good magnet for the rare praise floating around out there. And of course, super thanks to Dakota Taylor and Insomnia Press for the kind, kind words. "Charactered Pieces is on par with...early novels by Chuck Palahniuk. The difference is, Palahniuk sucker punches the reader with his prose and knocks your teeth out, leaving you bleeding and cheering. Caleb is a little more sneaky. Charactered Pieces spikes your drink and has you in someone's trunk before you even know it...One of the most moving and diverse pieces of work I've read in years." Read the full Charactered Pieces review here. And if you are so bold, find links to buy Charactered Pieces here.

A couple of nights ago I was invited to be the interviewee on an episode of the burgeoning and fun Books and Booze podcast. This, episode 4, has me chatting books with Renee Pickup and Dakota Taylor, sans books or booze in my hands, unfortunately. We talk a lot about my books, of course, but we get larger issues such as the implied cultural relevance of books that we (Renee, Dakota, and myself) don’t necessarily assume are good (ahem…50 Shades of Grey…) but must strike a unique chord if they are selling so well. We don’t always have to agree with cultural shifts, I suppose. But we’re all interested, it would seem, in the idea that mass consumption of a product must mean that product has some relevance beyond the aesthetic (but if now, doesn’t wide aesthetic appeal still say something about a culture). Anyway, it was tremendous fun. Thanks…

The fine fellows at Booked Podcast, Robb Olson and Livius Nedin invited me over to discuss the reissue of Chuck Palahniuk's Invisible Monsters. Here's a bit from the episode description: Booked reviews Invisible Monsters REMIX by Chuck Palahniuk, with special guest host Caleb J. Ross. It’s more of a book discussion than a review this episode, since this is not technically a new-new book, and there’s a good chance that lots of people listening will have already read it. So we talked a bit about the book, Palahniuk, and (of course) felching. As you do when you talk about Invisible Monsters. Click here to listen to the latest Booked Podcast episode, featuring Caleb J. Ross.

First off, please forgive the video quality here. I was trying a new recording method, which obviously didn't work that well. Here is another Wordless Book Reviews episode. Here I review four books using only sound effects and facial expressions. The books: Ella Minnow Pea: a Novel in Letters by Mark Dunn, Emporium: Stories by Adam Johnson, In the Plex: How Google Thinks, Works, and Shapes Our Lives by Steven Levy, and The Book of Lazarus by Richard Grossman.

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