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Over at Outsider Writers, Pat King, etiquette aficionado and all-around glorious specimen, is heading up an OW Chapbook Series, designed to paper and bind voices of the otherwise electronically chained OWC editors. So, what the hell does this have to do with me? How can I wring the appropriate ego from this post? Two ways: I am an OWC editor, meaning that a fiction chapbook of my own waits in the pipeline. More on this in the future, you can be sure. For now, let this description suffice: Mitchell, a twenty-something Cougar Cub with a midlife girlfriend named Marsha, wakes each morning, slightly more machine, slightly less human. As his condition progresses he looses his capacity for human emotion, and potentially with it Marsha. “As a Machine and Parts” (working title) is a story of Mitchell’s struggle to find out which assembly line he belongs to. Pat asked me to…

"Be warned; this collection will polarize audiences, splitting readers according to their willingness to trust in an untethered voice. Sheep and Wolves does not believe in beach reading or in hammocks and hot chocolate. It does not believe in love at first sight or in happy marriages. To be happy, Sheep and Wolves says, is to embrace the absurd. “Lies are cheaper than therapy” [pg. 69]. Welcome to the bizarro fiction movement, hail Jeremy C. Shipp." [from the Oxyfication.net review of Sheep and Wolves] The following interview took place via email between 7 September 2008 and 21 September 2008. Why email? I’m afraid of the man. Your first authored book, a novel titled Vacation, was published in 2007 by Raw Dog Screaming Press. Sheep and Wolves, your follow up short story collection, is set for a December 2008 release by the same publisher. Aside from the forms themselves (short stories…

Carswell, Sean, Train Wreck Girl. San Francisco: Manic D Press. 2008. paper,ISBN: 978-1-933149-21-9 Before I go any further, know that Train Wreck Girl will easily be one of the best novels of 2008. At 20 pages in, the earth paused. I remained absolutely entranced through the final page. Novels like this don’t happen very often, so pay attention. Train Wreck Girl poses as a fairly straightforward story of a man traveling cross-country to flee his past, returning years later, only to re-immerse in all that he tried to originally escape. He’s outgrown this childhood town of Cocoa Beach, FL, but only in width. The slug line describes the narrative beautifully: One man’s quest to figure out what to do with his life now that it is too late for him to die young. Beyond the immediately arresting imaginative structural elements (the first chapter is told as a countdown to New…

I've been working on a novel for the past couple years inspired by the Tom Waits song, "Hoist That Rag." This song is as close to religion as I get. Strangely, or perhaps fittingly, I don't know the literal meaning of the song. There's a guy named Piggy, something about rat addresses, and of course, as with most religions, there are crying babies involved. What this means for my novel-in-progress is that everything is simply an interpretation. Again, very fitting with religion in general. This past week I had the opportunity to experience this song live (Tulsa OK, USA, at the Brady Theater, 6.25.08). I had been looking forward to this show for months, but it wasn't until I was standing in line at the venue that I began to have reservations about hearing "Hoist That Rag" live. Until the performance my experience of the song had been entirely self-contained.…

Until today I've thought to keep this page about my writing - the physical, textual, words and paper aspect of my writing. Today, however, I feel compelled to stray, if only slightly, into the meta aspects of my writing - the ambient noise and inspiration surrounding my work. Today’s theme, Tom Waits, the core inspiration for my current novel-in-progress, “Hoist That Rag” (I’ll look into the legal issues with such blatant inspiration once I secure a publisher). Scarlett Johansson, of film and my dreams fame, yesterday released Anywhere I Lay My Head, an album of Tom Waits covers, give the lone original "Song For Jo." Before I rant, let me put my love of Tom Waits into context: I have more Tom Waits CDs, posters, and inspired literature than I have love notes to my wife (most of the love letters I write go to Tom Waits; sorry Jenn). Waits…

Like the subject matter in this, Harley Elliott’s twelfth book and first collection of non-fiction, there exists below the surface, universal binds and shared histories from which the impetus of progression can be said to reside. The non-fiction moniker given to this collection belies the engaging, story-telling mode Elliott uses. Set against the backdrop of the Kansas prairie, Loading the Stone reads more like a story of a familial love of history used to explore the bonds threading father and son relationships than the listing of facts and dates that might be implied by the subject matter and genre. Perhaps, however, my assumptions of genre are just one example of the misunderstandings that Elliot explores. For example, the use of the word ‘Indian’: The word had no relationship to the people [Christopher Columbus] encountered or the land they inhabited, or to the many generations preceding them, hunters of the big,…

Rayo Casablanca’s debut novel, 6 Sick Hipsters is now officially out and available for order. Rayo was nice enough to send me an ARC of his novel a few months back, which I reviewed for Dogmatika, here. Casablanca is truly a great writer and all around great guy. He can probably dance, too, which makes me even more jealous. Get his novel. From the review: "6 Sick Hipsters carries the rogue camaraderie of Joey Goebel's The Anomalies—punk attitude and hipster lifestyles included—along with a less passive social critique found in Coupland's Generation X. Fans of slick conspiracies and vinyl records rejoice." 6 Sick Hipsters homepage Amazon.com page Powell's page Kensington (the publisher) Page

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