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Category Archives Charactered Pieces: stories

In late 2009 I embarked on a the Blog Orgy Tour in support of Charactered Pieces: stories which took me all the way from my living room to the Javanaut coffeehouse on 39th street and everywhere in between with wireless internet access. Oh, the groupies. But that's for another post. As some of you may know, my novel Stranger Will is set to be released in March 2011 by Otherworld Publications. I miss the road (which remains unmoving just outside my office window). So, I want to do another tour. Announcing the Posting for Strange: The Blog Orgy Tour II: Stranger Will: (Unnecessary Colon) (I’m still working on the name) My goal this time is to embark on a marathon blog tour, from the release of Stranger Will in March all the way to the November 2011 release of my second novel, I Didn’t Mean to Be Kevin (Black Coffee…

Things need to change. I need to blog more. I need to have interesting things to say. Yes, that is the correct order for those last two items. Blogs, generally, are dumb. So many of them tend to be self-infatuated messes. The argument that this egotism is their exact purpose stands, true. So perhaps my contempt is like me at an orgy: so many people doing it must mean it’s fun, but every time I try one, I leave with a bad taste in my mouth. Gross. I read plenty of industry blogs, which I see as more an evolution of the commercial print world (magazines, trades, etc.) than as an evolution of the private world (diaries, journals, bathroom stalls). So, maybe I am meant simply to avoid the diaries and try to make this blog more about the industry. Problem: I don’t know much about “the industry.” I don’t even know what industry that would be. Publishing? Authoring? Is drinking an industry? [pullshow]I want to be useful. I want to provide valuable content to my 2.5 readers (I call them nuclear readers; when they comment on my posts, I call them nuclear reactors…get it…anyone…). A Platform is becoming an increasingly important part of a writer’s business arsenal. Think of a platform as a retarded term for group of buyers. Essentially, publishers want writers to have a market before a book is even contracted. Strange, I know. If I already had an audience, I would print and sell the book myself. (Already, I’ve stream-of-conscious-ing this thing; next step: decorate with Lisa Frank stickers and catch my older sister reading it). [pullthis]So my question is, what is useful? What is my unique knowledge?[/pullthis] Or if not that, what is the unique perspective I can offer? Here’s a list of possibilities:

  • I edit the OWC site, so I know some about small presses and “outsider” authors
  • I write fiction, so I know about lying
  • I have a lot of concepts for niche products, so I could give away million-dollar product ideas for free
  • I’m really good at eating pop-tarts. The trick is to turn them upside-down before eating, so that the icing touches your taste buds directly. Shit, there goes that blog post.
  • I know a little about podcasting
  • I once helped nurse a bird back to health after nearly hitting it with a lawn mower (yes, “nearly.” The bird was emotionally traumatized)
  • I marketed my debut story collection, Charactered Pieces, with a zero-dollar budget, so I know how to spend a lot of time not writing constructive fiction. Related: I blog
Any of these sound good. Why do you, dear reader, come back to a blog? What would bring you back to me?

@ UnRonic, Stephen Krauska offers some truly amazing words about Charactered Pieces. There's so much more than I deserve in the full review, so I urge you to click over the UnRonic to read everything. But here's a snippet: Between his spectacular characters, interesting stories, excellent metaphors all held together with great imagery and vivid description, Ross is a must read. He's young, fresh and down to earth enough to admittedly "steal" lyrics and write an "Acknowledgment" section that sounds more like a bonus story than a Hollywood awards speech. Keep an eye on him, he is bound to turn up more great work in the future. @Outsider Writers Collective - on the above note, there are only 23 copies of Charactered Pieces left of the entire 150 copy print run. I don't think there are any plans to go into another print run anytime in the near future. Of…

@ Blinding Loud, Sean P. Ferguson gives some great words about Charactered Pieces: The stories don’t change you because they cause you to rethink how you’re living in some great respect. You’re not forced on with issues that want you to decide whether or not to have an abortion, or pick a side when it comes to same sex marriage. They don’t beat down your door demanding that you give all of your belongings to charity. You’re presented with life and the ability to deal with what you’re dealt. Now put down what you’re doing, read, and start to live. Really live. Because if these people can, so can you, we all have Charactered Pieces in us. @ kenwohlrob.com, site namesake and author, Ken Wohlrob, says some very flattering things about Charactered Pieces: The prose is punchy and has a great rhythm to it, especially when the stories are told…

As I mentioned in a previous post, I’ll be one of a great group of writers to read at Leela European Café on April 9th in Denver. I’ve done a few readings in the past, despite the live aspect being something writers don’t often get to experience. I’ve been lucky, I guess. I am perhaps more excited to see and meet these people more than I am to actually read some of my own work. That’s natural. I’m humble by nature. Humble and handsome. The unwritten rule is that writers should read from something either freshly published or contracted for publication. For me, that would be my story collection, Charactered Pieces. But another, perhaps not entirely unwritten rule, is that when crowds and drinks are involved, the best type of material to read is work both funny and short. Charactered Pieces, though it contains elements of each, doesn’t contain any…

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